Summer Scares Resources

Click here to immediately access the Summer Scares Resource page so that you can add some professionally vetted horror titles into your reading suggestions and fiction collections for all age levels.

Thursday, November 18, 2021

#HorrorForLibraries Giveaway 63: Road of Bones by Christopher Golden

 Today I have an ARC of one of the first big Horror novels of 2022; a book I gave an unequivocal star to in the October issue of booklist here. Giveaway below, but first, here is a refresher on the basic rules to enter:

  1. You need to be affiliated with an American public library. My rationale behind that is that I will be encouraging you to read these books and share them with patrons. While many of them are advanced reader copies that you cannot add to your collections, if you get the chance to read them, my hope is that you will consider ordering a copy for your library and give away the ARC away as a prize or pass it on to a fellow staff member.
  2. If you are interested in being included in any giveaway at any time, you must email me at zombiegrl75 [at] gmail [dot] com with the subject line "#HorrorForLibraries." In the body of the email all you have to say is that you want to be entered and the name of your library.
  3. Each entry will be considered for EVERY giveaway. Meaning you enter once, and you are entered until you win. I will randomly draw a winner on Fridays sometime after 5pm central. But only entries received by 5pm each week will be considered for that  week. I use Random.org and have a member of my family witness the "draw"based off your number in the Google Sheet.
  4. If you win, you are ineligible to win again for 4 weeks; you will have to re-enter after that time to be considered [I have a list of who has won, when, and what title]. However, if you do not win, you carry over into the next week. There is NO NEED to reenter.

Click here to see giveaway #62. Our winner was Carolyn from Fulton County [GA] Library System. Now on to today's giveaway: 

Road of Bones is the upcoming stand alone release by bestselling author and library patron favorite, Christopher Golden. You can click here to read my full STAR review [or see below], but I cannot stress how much I loved this book. 

You nee to order it ASAP if you have not already. It will be on best lists when 2022 comes to an end. Good luck to all who have entered.

Road of Bones by Christopher Golden [link is to my original post announcing the Booklist review]

Golden firmly plants his flag at the top of the Horror-Thriller hybrid mountain with a tale that will chill even the most jaded readers. Tieg, documentary producer, with ghosts in his past, is travelling the Kolyma Highway through Siberia, a road paved with the bones of gulag victims, to scout a village for his next project. The cold is so intense, cars must be left running and people can only survive for minutes outside. As Tieg and his best friend/cameraman travel the road, they meet those who call this place home. But when they get to what they thought was their final destination, the town is deserted. Every villager has fled their homes, into the uninhabitable forest, all except one young, traumatized girl. At the edge of said forest, appears a parnee, a shaman and his animal spirit army, and they are not happy. Opening with a high anxiety sequence, and relentlessly building on the dread of the setting, the ceaseless terror, the unrelenting cold, and the omnipresent, well organized force stalking them, Golden places the action, violence, and fear front and center. However, because it is told from multiple points of view, the character development allows the reader to see that the real threat may actually be human hubris, a realization that ultimately adds a gentleness, depth, and beauty to a story that could have been centered around carnage. Give to fans of emotional, thought-provoking, nature inspired Horror like The Only Good Indians by Jones or Wonderland by Stage.

YA: The combination of non-stop action, fascinating and terrifying setting, and folk horror and nature gone wild elements will draw teens into the story immediately, while the characters will keep them turning the pages, even as the terror increases exponentially. 

Further Appeal: I need to stress that the dread, anxiety, and danger is here from the very first scene and never lets up. 

Here are my notes from as I was reading:

  • Opening with a high anxiety sequence, the story builds upon the danger, claustrophobia, and freezing temperatures non-stop and that is before the "parnee" comes out of the forest. 
  • It is told from multiple points of view, allowing the characters to build and the terror burrows even deeper into the reader, the chill searching for warmth anywhere it can find it. 
  • Violence and fear. 
  • Human Hubris. What is evil? What is out there? Who is civilized? Answers are not easy and they challenge the very nature of human hubris and reason.. And yet, it is all very real.-- not really so rewrite that. Smack in the face of westerners who think we know it all-- spoiler alert [not really]-- we don’t.
  • Social commentary about what we really don’t know about the world. How small we are. Golden straight up shows us westerners what jerks we are. The world is large and we think we are better than everyone else, but in reality people live everywhere-- happily and thriving-- and yet we think, how can they?
  • Chilling [pun intended but also accurate on every level].
  • Finally, there is a moving tribute to Bruce Springsteen in one of the important subplots. So Bruce fans will love this book. My deceased Father-In-Law was a huge Springsteen fan and he would have loved this book. 

Three Words That Describe This Book: Ceaseless Terror, Strong Sense of Place, Human Hubris

Readalikes: The nature gone wild elements are huge here. The Jones and Wonderland recs, have much to say about human hubris, nature's power, and how we need to respect it more.

Tuesday, November 16, 2021

The 2022 Master List of All Horror Titles From NIghtfire

Emily Hughes' master list of every Horror book coming out in 2022, from all publishers, and for YA and up is now live at this link.

As I mentioned here and here, when Emily was a guest during 31 Days of Horror, this is THE collection development tool for every library. This is your guide of the Horror you need to consider buying. 

I depend on this list too. Library workers don't know everything and we don't have time to figure everything out from scratch. But what we are good at is finding the best resources to do our jobs efficiently and effectively.

This is my go-to resource for deciphering the Horror calendar. I will go through it to make my review column schedule for the year, making sure I have representation across identities and publishers.

What are you waiting for? Leave this blog, go to Emily's master list, and bookmark it too return frequently because she updates it all year long.

Click here to see the list




Thursday, November 11, 2021

#HorrorForLibraries Giveaway 62: The Ghost Sequences

After a week off to recover from the October blog-a-thon, I am back with one of the most talked about story collections of the year, put out by one of my recommended independent presses for libraries.  But first, here is a refresher on the basic rules to enter:

  1. You need to be affiliated with an American public library. My rationale behind that is that I will be encouraging you to read these books and share them with patrons. While many of them are advanced reader copies that you cannot add to your collections, if you get the chance to read them, my hope is that you will consider ordering a copy for your library and give away the ARC away as a prize or pass it on to a fellow staff member.
  2. If you are interested in being included in any giveaway at any time, you must email me at zombiegrl75 [at] gmail [dot] com with the subject line "#HorrorForLibraries." In the body of the email all you have to say is that you want to be entered and the name of your library.
  3. Each entry will be considered for EVERY giveaway. Meaning you enter once, and you are entered until you win. I will randomly draw a winner on Fridays sometime after 5pm central. But only entries received by 5pm each week will be considered for that  week. I use Random.org and have a member of my family witness the "draw"based off your number in the Google Sheet.
  4. If you win, you are ineligible to win again for 4 weeks; you will have to re-enter after that time to be considered [I have a list of who has won, when, and what title]. However, if you do not win, you carry over into the next week. There is NO NEED to reenter.
Click here to see giveaway #61. Our winner was Vicki from Lexington [KY] Public Library. Now on to today's giveaway:

Today I have a finished copy of the gorgeous [look at that cover-- seriously, look at it!] and critically acclaimed story collection by A.C. Wise, The Ghost Sequences.

Wise is an author on the rise. One you should know about. Wise takes the tropes you think you know and makes them entirely new, original, and chilling. 

I will not be surprised if this collection ends up nominated for a Bram Stoker Award for story collection. Not at all.

Some of theses stories are from anthologies to which I gave a star review. Wise has caught the eye of editor Ellen Datlow in a way I haven't seen since she started promoting Stephen Graham Jones [and we all know how well that went for him].

Don't believe me, take a look at the glowing reviews on Goodreads here. And I 100% agree with the publisher readalikes of Carmen Maria Machado, Kelly Link, and Angela Carter.

Enter to win, but also, order a copy for your library collections ASAP. And thanks to Undertow Publications for the giveaway copy.

Tuesday, November 2, 2021

The Appeal of Horror via 14 of Its Top Practitioners

October is over, but remember, this blog is here all year long for you to find scary reads for your patrons. During my annual 31 Days blog-thon, I try to focus more on how to use this blog as a resource and providing examples of the appeal of Horror directly from those who ply cares as their trade.

But rather than sifting through dozens of Why I Love Horror posts, there is an excellent quick resource from 14 of today's most popular Horror authors writing about the appeal of Horror via CrimeReads. Click here to access but here are the authors who are featured:

V. Castro (Queen of the Cicadas), Rachel Harrison (Cackle), Grady Hendrix (The Final Girl Support Group), Gabino Iglesias (Both Sides of the Border), Stephen Graham Jones (My Heart is a Chainsaw), Alma Katsu (Red Widow), Cassandra Khaw (Nothing But Blackened Teeth), Jess Lourey (Litani), James Han Mattson (Reprieve), Josh Malerman (Pearl), Gus Moreno (This Thing Between Us), Riley Sager (Survive The Night), Cadwell Turnbull (No Gods, No Monsters) and Catriona Ward (The Last House on Needless Street).

Halloween is over, yes, but Horror readers didn't just go back into their coffins for another 11 months. They are everywhere and you still need to help them. This article is a great, quick way to get up to speed on the genre by a wide range of authors who write across the spectrum of scares.  

But again, don't forget that this web resource is here every single day of the year and I have plenty of archived links, resources, and review access to help you help your scariest readers.

And for a way to have me in print, on your ready reference shelf, click here to order my new book.

Sunday, October 31, 2021

31 Days of Horror: Day 31-- Announcing the 2022 Summer Scares Timeline and Spokesperson

Happy Halloween!

I made it. And today we celebrate with the official beginning of year 4 of Summer Scares.

Remember Horror is a good reading option all year long.

Don't believe me. Order my the new edition of my book and use it to help your readers all the year through.


HWA ANNOUNCES SUMMER SCARES READING PROGRAM: 2022 SPOKESPERSON AND TIMELINE

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Booklist, is proud to announce the fourth annual Summer Scares Reading Program. Summer Scares is a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. It introduces readers and librarians to new authors and helps start conversations extending beyond the books from each list and promote reading for years to come.


Summer Scares is proud to announce their 2022 spokesperson as author Alma Katsu:


"I'm thrilled to be the author representative to the Summer Scares programming committee and to have the honor of representing my fellow horror writers and be an advocate for the great writing that's being produced by the horror community. Horror is a widely-loved genre, for many readers constituting their earliest reads, whether it's R.L. Stine or Edgar Allan Poe, and so I'm happy for the opportunity to work with librarians to introduce more horror stories and new authors to their patrons."


Katsu is joined by a committee of five library workers who, together, will select three recommended fiction titles in each reading level, totaling nine Summer Scares selections. The goal of the program is to encourage a national conversation about the horror genre, across all age levels, at libraries nationwide and ultimately attract more adults, teens, and children interested in reading. Official Summer Scares designated authors will also make themselves available at public and school libraries.


The committee’s final selections will be announced on February 14, 2022, Library Lover’s Day. Katsu, along with some of the selected authors, will appear on a panel to kickoff Summer Scares at the 6th Annual HWA Librarians’ Day, Friday May 13  during StokerCon 2022 at the Curtis Hotel in Denver, CO.


Between the announcement of the titles and the kickoff event, the committee and its partners will publish lists of more suggested titles for further reading. Official Summer Scares podcasting partner, Ladies of the Fright Podcast, will also record episodes in conjunction with Summer Scares.


Of special note is the annual Summer Scares Programming Guide, courtesy of Konrad Stump and the Springfield-Greene County Library, which provides creative ideas to engage horror readers. Centered around the official Summer Scares titles, the guide offers tips and examples for readers’ advisory, book discussions, and special programs, and enables librarians, even those who don’t read or especially enjoy the horror genre themselves, to participate in Summer Scares. As Stump notes:


“The Springfield-Greene County (MO) Library is thrilled to continue working with the HWA to produce the 2022 Summer Scares Programming Guide. We’re excited to announce that not only will 2022’s guide be enhanced through an exciting new partnership with the Horror Studies archive at Pitt University, but we will be releasing the guide earlier than ever, on March 1, so library workers have more time to plan fun and thought-provoking programs that engage their communities with horror and Summer Scares.”


To see past year’s Summer Scares titles, spokespeople, and programming guides, please visit the program archive: http://raforallhorror.blogspot.com/p/summer-scares-archive.html. 


And keep your eyes peeled for more updates coming soon from Booklist, Book Riot, and United for Libraries, as well as at the HWA’s website: www.horror.org and RA for All Horror: http://raforallhorror.blogspot.com/p/summer-scares.html.


Questions? Reach out to HWA Library Committee Chairs Becky Spratford and Konrad Stump via email: libraries@horror.org. 


+++++++++++++++++++++++++


Summer Scares Committee Members:


Alma Katsu is the author of six novels. Her books have twice-nominated for the Stoker and Locus awards and been on best books lists at Amazon, Apple, Goodreads, Barnes & Noble, among others. THE HUNGER (2018), one of last year’s Summer Scares adult picks, was named one of NPR’s 100 favorite horror stories, and won Spain’s Kelvin 505 award for best scifi/fantasy novel as well as the Western Heritage Award for best novel. THE DEEP (2020) is a finalist for the Library of Virginia’s best novel award. Her most recent work, RED WIDOW (2021), is her first spy novel, the logical marriage of her love of storytelling with her 30+ year career at CIA and NSA. RED WIDOW was selected a NYT Book Review Editor’s Choice and is in development with FOX for a TV series.

Ms. Katsu has relocated from the Washington, DC area to the mountains of West Virginia, where she lives with her musician husband Bruce and their two dogs, Nick and Ash.


Becky Spratford is a library consultant and the author of The Readers’ Advisory Guide to Horror, third edition which was released in September of 2021. She reviews horror for Booklist Magazine, is the horror columnist for Library Journal and runs the Readers’ Advisory Horror blog, RA for All: Horror. Becky is also a member of United for Libraries and is currently serving as Secretary for the Horror Writers’ Association.


Konrad Stump is a Local History Associate for the Springfield-Greene County (MO) Library, where he coordinates local history programming and works district-wide on Big Read, ASRP, and Springfield-Greene's popular “Oh, the Horror!” series, which attracts hundreds of patrons during October. He created the Donuts & Death horror book discussion group, featured in “Book Club Reboot: 71 Creative Twists” (ALA), and co-created the Summer Scares Programming Guide. Library workers and authors who are interested in cultivating horror programming can contact Konrad at konrads@thelibrary.org for free assistance.


Carolyn Ciesla is an academic library director in the Chicago suburbs. She has worked as a teen librarian and reference librarian, and reviews horror titles for Booklist Magazine. She’s currently enjoying providing all the scary books to her teen daughter, and revisiting a few along the way.


Kelly Jensen is a former librarian who works as an Editor for Book Riot (bookriot.com), where she runs the bi-weekly "What's Up in YA?" young adult newsletter and cohosts the popular "Hey YA" podcast about young adult literature Her books include the award-winning (Don’t) Call Me Crazy: 33 Voices Start the Conversation About Mental Health and Here We Are: Feminism for the Real World, both from Algonquin Young Readers. She's also a well-known and long-time co-blogger at Stacked (stackedbooks.org). A life-long lover of all things scary, she finds herself eager to scream about horror reads for teens with those who love good thrills and chills.


Julia Smith joined the Books for Youth team at Booklist in 2015, where she is now a senior editor. Her life-long love of horror movies and middle-grade literature draws her to creepy children's stories and books with bone in the title. You can follow her at @JuliaKate32 on Twitter.

Saturday, October 30, 2021

31 Days of Horror: Day 30-- The Horror Studies Collection at the University of Pittsburgh Library

Yesterday, I introduced you to Ben Rubin the Horror Studies Coordinator at Pitt. For today, I asked him to introduce all of you to the collection and its resources. He not only lets you know what they have, he actively invites all to access and use these materials.

From the middle of this essay, I wanted to pull out a quote that sums up everything Rubin [and I] want you to know about Horror, whether you are a fan or not:

"All of these efforts support a central thesis: that horror has extraordinary social and cultural value. That genre studies generally and horror studies specifically is deserving of archival preservation and academic study. That rather than treating horror as a ‘ghetto’ genre, something at the margins to be maligned, it should be taken seriously. There is a reason that horror is present throughout all of human storytelling; there is a reason it has such a dedicated and passionate fanbase. It informs the human experience by laying bare out into the light our collective and individual fears and anxieties to interrogate and understand. " 

Major thanks to Rubin for this excellent piece and for his academic support of Horror. I can think of no better way to round out this month celebrating Horror in Libraries. 

Happy Halloween Eve.

Horror Studies Collections at Pitt
by Ben Rubin

Let me open with a vignette, a scene from the archive if you will: 

I open another box to sort and inventory; an older box, clearly enjoying fresh air after many years in the basement. It’s filled with overstuffed hanging file folders, envelopes, and loose papers. Sometimes the labels are correct, sometimes not. I pull out an envelope; from the coloring and feel of the paper, I can tell it’s old, as in decades old. In marker across the front is printed “GAR Old Projects”. The envelope is sealed shut, the adhesive like concrete after so many years, so I carefully tear along the top using my pocketknife like a letter opener. The label is correct - inside are some very old treatments or short stories.  From the appearance of the paper and the typewriter’s strikes across the page, I infer late 60s to early 70s.  I can already feel excitement build as I realize I’m probably reading writings that have not been seen in decades if they were ever shared with anyone at all.  The first story starts out describing the wet pavement of the Parkway East, what Pittsburghers call the main interstate thoroughfare coming into the city from the eastern suburbs. As I read through the 5 or so short works, I come across a set of pages on lined paper, folded in half. I open them and it is a letter, writing in longhand, about the development of a new project and some ideas about casting. It ends with a four-page opening scene for a new film, to be titled Dawn of the Dead. I am astounded. I am seeing, in George’s own handwriting, his first conceptions for the legendary film. The letter is dated 1974 – fully two years before any treatment or draft script for the film.  I can’t help but wonder if I’m the first to see this letter – did he ever even send it? It has clearly been forgotten; folded and tucked away among other scripts, sealed in an envelope, and filed in a box many years (or decades) ago. Oh, and that story that started with the Parkway East? It’s an apparent early version of Martin. Untitled, but from the characters and plot, it is the earliest seed of the story. The contents of that envelope were pure gold. 

It is these moments of discovery that make archives so important. While not everyone will get the chance to open a long-forgotten envelope, anyone can discover new works and new perspectives from visiting the archive. From viewing lost works or delving into the drafts and notes of a beloved classic, one can truly begin to gain greater understanding of the creative process of the author or filmmaker; to truly grasp the bigger picture around a work for which we only know the finished product.

That goal of preserving but also illuminating the creative history of horror is why we have established the Horror Studies Collections here in Archives & Special Collections at the University of Pittsburgh Library System. Founded with the George A. Romero Collection in May 2019, it has since grown to include the papers of Linda D. Addison, Gwendolyn Kiste, Kathe Koja, Daniel Kraus, and John Russo; the records for the Viscera and Etheria Film Festivals; the archives of the Horror Writers Association; and the papers and records of William ‘Chilly Billy’ Cardille and his Chiller Theater. Most of these collections document the creative processes of their contributors. The drafts, edits, galleys, proofs, research, and press that went into the creative works. Other collections document the community and the impact the genre has had upon our culture. This history is extraordinarily rich and truly enables one to understand the development of a work and its reach. It also serves as a powerful tool for students who dream of a career in writing or filmmaking.  In addition to these collections, I have also sought to grow literary and film holdings; build an archive of horror scripts and ephemera not tied to one specific donor or creator; and find small press, special edition, and rare books. All of these contribute to building a creative history of the genre while also serving as a resource base for scholarship.  

All these items are available for consult. Our collections at Pitt are intended to be research and teaching collections. We encourage anyone to come and use and learn from our primary sources firsthand. We view that as part of our stewardship responsibility – to not just ensure their preservation and care but ensure that they are accessible to inform and inspire. We have a robust program of teaching with primary sources in which we network with faculty to bring their students to our classroom. We curate materials that match their curriculum and give students an opportunity to have a different type of learning experience. It never ceases to be heartening when we see students become excited as they handle and examine rare books and archives; to see that moment of inspiration and awe as something clicks after reading a piece of marginalia or understanding the importance of materiality when holding a book hundreds of years old. This experience is not just limited to our University community but for all researchers who wish to visit and engage with our materials. 

We have also embarked upon programming opportunities to engage both our University community and the public on topics related to the genre. The pandemic forced us move everything online, but ultimately, I think our Horror Studies Webinar Series has been hugely successful. I have had wonderful conversations with authors I admire and never dreamed of talking to as we explore their work and broader themes within the genre. We specifically framed the sessions around highlighting and recognizing diversity in horror. We plan to continue in this theme, one we call Expanding the Canon. It allows us to share with the world what so many of us steeped in the genre already know: that horror is and always has been a diverse genre both in its content and its creators.  

All of these efforts support a central thesis: that horror has extraordinary social and cultural value. That genre studies generally and horror studies specifically is deserving of archival preservation and academic study. That rather than treating horror as a ‘ghetto’ genre, something at the margins to be maligned, it should be taken seriously. There is a reason that horror is present throughout all of human storytelling; there is a reason it has such a dedicated and passionate fanbase. It informs the human experience by laying bare out into the light our collective and individual fears and anxieties to interrogate and understand.  

This project upon which we have embarked at Pitt is both exciting and ambitious. Our goal is larger than just this archive – we hope to emerge as a destination for the study of horror through the development of curriculum and eventually a Horror Studies Center that can confer certificates or degrees in the subject.  As a lifelong horror hound, it is still supremely surreal to be part of this effort and be entrusted to build and curate these collections, but incredibly edifying. At heart I’m just the bookish horror nerd that somehow finds himself immersed in the genre in a way I never thought possible. I get to privately fanboy out a bit about seeing an early draft from Romero or Koja and then share that excitement with the world.  At times it is an indescribable experience.

In closing – I invite all to come and learn from these archives; to support us if you are inclined. If you are a writer or filmmaker reading this: don’t throw your stuff away! The creative history of your work is important and represents a piece of cultural history. Think about an archive as a home for your material (need to clear out space in that spare room? We have space!).  Join us for our programming, whether as a participant or attendee, as we explore the genre. Come to Pitt to study and add to the scholarship of horror studies. And keep unashamedly contributing to and loving this gory, subversive, and wonderful genre! 

Learn more and keep in touch; one note, some of the collections mentioned above are in process with finding aids forthcoming: 

Pitt Archives & Special Collections: 

https://library.pitt.edu/archives-special-collections

Ask Us Questions and Contact Us: 

https://library.pitt.edu/ask-archivist

Horror Studies Blog:

https://horrorstudies.library.pitt.edu/

Newsletter:

http://pi.tt/horrornewsletter

George A. Romero Archival Collection Finding Aid: 

https://digital.library.pitt.edu/islandora/object/pitt%3AUS-PPiU-SC201903/viewer

Papers of Daniel Kraus Finding Aid: 

https://digital.library.pitt.edu/islandora/object/pitt%3AUS-PPiU-SC202001/viewer

Friday, October 29, 2021

31 Days of Horror: Day 29-- Why I Love Horror by Ben Rubin

Today I have the last of this year's Why I Love Horror essays, and it is fitting that we end with a librarian, Ben Rubin, the Horror Studies Collection Coordinator for the University of Pittsburgh's Library System. This special collection is already the home to the archives for George Romero, Daniel Krause, Gwendolyn Kiste, Linda Addison, and the Horror Writer's Association. And Rubin is actively working to acquire more.

Rubin and the HWA will be working together in the coming months, and I for one am super excited about our collaboration. I have met with Rubin and we already have some fun things in the works, including some exciting Summer Scares collaborations for 2022. With Pitt taking on the HWA's papers there are many chances for partnerships now and well into the future. 

I not only wanted to introduce my readers to the Horror Studies Collection, but also Rubin himself. He uses his essay as a chance to really delve into the WHY part of the prompt. And come back tomorrow for all of the details about the Horror Studies Collection itself. 

Finally, don't forget, there are now 85 Why I Love Horror essays, accessible with just one click here. Reading a few of these essays is a great way for you to better understand all of the different reasons fans love this genre, a resource that is especially useful if you don't enjoy the genre yourself. 

💀💀💀💀💀💀💀💀💀💀

Why I Love Horror
by Ben Rubin

On one level the answer to the prompt ‘why do you love horror?’ is easy (yet tautological): I just do.  There is something about the genre that resonates on a subconscious and visceral level that is difficult to put into words. I can’t really remember a time in which I didn’t enjoy horror. I recognize its elements of terror, but I don’t really remember it specifically scaring me or causing nightmares. Rather it always evoked a curiosity, a fascination, and a thrill. It is a genre that pulls you in and immerses you. The monsters, the gore, the satire, the comedy, the dread; I can’t get enough. On the intellectual level, I recognize that these aspects fit into our psychology as a species - I truly believe horror allows us to understand what it means to be human through examining our fears and anxieties. But it is also just fun and just grabs you; there isn’t a deeper meaning or justification to be had. Yet, in reflecting on this question on why I love horror, rather than trying to explain, I kept thinking of experiences (particularly from my formative years) that stood out in developing, solidifying, and deepening my love for the genre.  That perhaps recounting these would be more instructive in arriving at why I love horror. 

Growing up in the boonies of the South was the perfect place to cultivate a love for horror. The region lends itself well the genre: it is constantly haunted by the ghosts of the past begging us to remember and learn from it. It is a place steeped in legends and hauntings, many of which serve as the vehicle from which we can remember the past. A region in which to be the outsider can be dangerous and the push to conform can be suffocating. A place in which isolation can be both literal and figurative.  

The all-encompassing darkness of rural spaces becomes tangible. The sense that ‘something is out there’ becomes very real. Sure, it’s most likely just a critter– an alligator, bobcat, opossum, or raccoon – shuffling along over in the shadows; but that just meant you were quite possibly about to find yourself in a creature feature. Going outside to explore in the pitch black the backyard or the nearby woods after watching a scary movie was a thrill. You could always imagine that that twig snap you just heard or wind through the leaves was really the monster or slasher about to emerge. You could close the book at night and imagine that shadow in the corner of the room was something other than an errant item of clothing; that the glowing eyes were not the pet cat, but the monster. 

 One of the most vivid experiences with horror as a kid was from a summer camp. I know that sounds immediately cliché, but it’s true. There was a camp that I was particularly fond of as a child. It was in a museum/preserve that focused on the natural flora and fauna of the area. It had an outdoor zoo of sorts that was really just large enclosures around natural habitat with some native animals (which also meant that sightings could be rare as they had plenty of space to hide). It also had a large preserve of wetlands and old growth pine forests. The perk of being a camper was we had full range of these swamps and forests. It was a blast. There was always a down time after lunch. Sometimes it included a movie, but sometimes it was story time. It was always the same counselor telling tales and it was always scary stories. And he was a master - he had a natural gift and would spin these amazing tales of ghosts, demons, and hauntings set in the very grounds within which we spent the day prowling. I was completely enthralled. I loved his stories and hung on every word. While I might not have consciously known it at the time, I think that in hindsight it is when I started to understand the art of the story. How important the craft of storytelling is – and how well horror itself it suited to this craft.  

And if that wasn’t cliché enough, there was also the uncle who stood ready at every turn to feed and guide me through horror fandom and discovery. Whose den was full of books that he would pass along for me to take on the long drive home after a summer visit. That summer when I was 11 or 12 and he gave me my first Clive Barker book to read, and my mind was blown by the boundaries horror could push. Reading the Borderlands anthology and again having the horizons pushed and discovering a wide range of new authors to explore. Watching movies; the cult classics steeped in gore that jumped off the screen as well as the lurid VHS box. Someone who I can still talk to about the genre and share a common bond.  

There is also something about the transgressive sense of horror that appeals. Perhaps it was growing up in the Bible Belt, subject to the veracities of the evangelical throngs eagerly waiting to berate any that crossed their paths, that the embrace of all that they would find most appalling became appealing. That this atmosphere led me to embrace the extremes in multiple forms of art: namely death metal and the goriest of the splatterpunks. The very oppositional nature of these art-forms becomes a tool to defend and undermine moralists blaming your interests for all of society’s ills anyway. That ultimately the oftentimes over-the-top nature of a splatterpunk story paled in comparison to the underlying violence to be perpetrated against the outsider within the evangelical society. That in the end, knowing the horrors on the page were fiction muted their impact and served as escape against the very real horrors of everyday. An understanding that the supernatural wasn’t the real threat, but humans. But also, it was inspiring – the outsiders won. Only in horror could the scrawny, bookish nerd, with the coke-bottle glasses win and persevere against the monsters.  

So why do I love horror? Lots of reasons. It is a genre with no limits, that often embraces the absurd. One that understands the outsider and lays bare humanity. A genre that is steeped in place and history. A medium that exemplifies the craft of storytelling. But ultimately one that is just plain fun. A genre that just resonates down to one’s core and defies explanation. I mean, come on, how can you not love the monster rampaging through town leaving a trail of destruction; the bullies and closed-minded townspeople getting their comeuppance from the slasher or the demon; the over-the-top gory, bloody finale when viscera, brains, and blood abound covering everything in sight?!