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| Review Access Here |
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| Review Access Here |
The online home of The Readers' Advisory Guide to Horror, an ALA publication.
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| Review Access Here |
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| Review Access Here |
Being the dedicated bibliophile I am, I am also a fan of my library. I couldn’t afford to read as much as I do if wasn’t. I often tried to seek out some of my favorite “outside” authors and was always told that the libraries didn’t carry them. I researched why and although the reasons made sense, I knew there had to be a solution; one that was a win for the authors, addressed librarians’ concerns, and met industry requirements.
As I plunged deeper into studying the availability of books, other areas popped up and I saw the same issues related to both music and film. There were a number of great recording artists and movie producers who chose not to go with a traditional studio, but didn’t scrimp on quality.
I wanted to do something that would serve both industries. To achieve this librarians had to be the ones to review the works. I knew that for a review to have credibility, it had to have the librarian seal of approval. Our editor, Rebecca Vnuk, comes to IndiePicks Magazine with over a decade of library experience, including the American Library Association’s Booklist. If our librarians wouldn’t feel comfortable purchasing the work for their own catalog, we won’t recommend it for your reading list.
As I got to know the independent authors and artists, I found they were just as passionate about their craft as those Big 5 authors and major studios. These people became my friends and I knew in my heart, if I could do ANYTHING to help them I would.
I understood library policy and knew librarians wanted to work with authors outside the Big 5. I heard the call from the ALA to open their libraries to these works, but the lack of a recognized review source was still at the forefront of the problem. In searching out a solution my mind went back to my favorite little review magazine and the concept of IndiePicks was born.
Bracken MacLeod is on quite a roll. Last year he released Stranded, which was a finalist for the Bram Stoker Award for Best Novel, and this year he follows up with an utterly original and chillingly realistic take on zombies with Come to Dust (JournalStone/Trepidatio Publishing, $17.95, ISBN 9781945373664). Mitch is an ex-con who lives for his toddler niece, Sophie. He is her unofficial guardian since her mother abandoned her, but he doesn’t mind because this little girl is his everything—until she tragically dies in her sleep. But Sophie’s death is not final. Soon after she dies, children all over the world begin to rise from their graves. The children who return, including Sophie, seem normal (except for varying states of decay) but they also have a terrifying power—one that is not apparent at first. As governments and religious leaders debate what to do about this unique zombie problem and how to regulate these undead citizens, Mitch and his girlfriend go on an adventure to save Sophie from danger and find a safe place for families like theirs to survive in this new world. With a fast-paced, thriller style of storytelling, an emotionally intense premise which will hit anyone who has ever loved a child right in the gut, and a twist that makes it feel fresh, Come to Dust is a story that does not disappoint. Fans of M.R. Carey, Dean Koontz, and The Leftovers will find this a sure bet.
Also nominated for a Bram Stoker Award last year (in the Best First Novel category) were Michelle Garza and Melissa Lason, twins who are better known as The Sisters of Slaughter. In their second novel, Those Who Follow (Bloodshot Books, $14.99, ISBN 978-0998067995), the Sisters employ their trademark style of holding no punches on the bloody details in a way that never feels gratuitous. Here we have two alternating storylines about two young, troubled women, twin sisters who do not know of the other’s existence. Celia has been kidnapped in the Arizona desert by Byron, a very evil man with an unknown supernatural power. Held captive with others in an abandoned church, Celia has had the year of her capture (age 14) carved on her forehead. Casey is living in a mental institution. Her behavior is getting more erratic until one day, the number 14 appears scratched into her forehead out of nowhere. Casey and Celia are special girls, with a connection to each other, and the power to overthrow the monster Byron—but will they find each other in time to save themselves (and the others)? They don’t even know what or who they are each looking for. The back-and-forth narration transitions smoothly and keeps the dread and the pace steadily building. There is necessary setup here, but it is all worth it, and the payoff is fantastic. Those Who Follow is a great choice for readers who miss the early 2000’s Leisure Horror line or the horrific tales of the late Richard Laymon.
Speaking of fantastic, Hematophages (Sinster Grin, $15.99, ISBN 9781944044558) by Stephen Kozeniewski is one my recent favorites. Paige, an academic who has never left her space station home base, gives the reader insight into a new world of the future where the male gender is extinct, corporations have replaced governments, and most humans live off-Earth. Paige is hired as a historian, part of a team sent on a salvage mission to find a ship that has been lost for centuries. As they travel to their destination, readers meet an intriguing cast of characters and get a tutorial in the intricate workplace politics (remember, this is a world controlled by corporations). When the team reaches the lost ship, the true terror begins, a terror which springs from the hematophages, lamprey-like creatures who attach onto their prey and suck out their insides for nourishment. And these sentient creatures particularly enjoy the human brain. Hematophages has a direct and snarky narration and a seamless inclusion of accurate science which never intrudes upon the fast-paced storytelling, only enhancing it. But because this novel is also horror, it also has terrifyingly awesome and gross scenes of the creatures as they take over the crew, one by one. While this novel is perfect for fans of classic horror movies in space like Alien or Event Horizon, it is also equally influenced by twenty-first-century horror classics like The Rising and The Ruins with more than a touch of the humor of Office Space. All that and a perfect horror ending means that the only problem you will encounter as you hand-sell this book to readers is how to pronounce the title and author’s last name.
Also in this issue you can find my interview with Les Klinger, the author of The New Annotated Frankenstein (review above). It's entitled, Leslie S. Klinger and the Fine Art of Annotation. You may think this sounds boring, but I got to spend time with Les and we talked about annotating and why it is so interesting and cool. All librarians can learn from him. He has annotated Gaiman's Sandman series, Sherlock Holmes, HP Lovecraft and he is about to release an annotated Watchmen. In other words, click through and read my article.
Boston, MA (July 2017) — In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, The Shirley Jackson Awards, Inc. has been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.
The Shirley Jackson Awards are voted upon by a jury of professional writers, editors, critics, and academics, with input from a Board of Advisors. The awards are given for the best work published in the preceding calendar year in the following categories: Novel, Novella, Novelette, Short Story, Single-Author Collection, and Edited Anthology.
The 2016 Shirley Jackson Awards were presented on Sunday, July 16th at Readercon 28, Conference on Imaginative Literature, in Quincy, Massachusetts. Naomi Novik hosted the ceremony.
The winners for the
2016 Shirley Jackson Awards are:
NOVEL
Winner: The Girls, Emma Cline (Random House)
Finalists
Foxlowe, Eleanor Wasserberg (Fourth Estate-UK/Penguin Books-US)
I’m Thinking of Ending Things, Iain Reid (Gallery/Scout)
Lily, Michael Thomas Ford (Lethe)
Mongrels, Stephen Graham Jones (William Morrow)
The Wonder, Emma Donoghue (Little, Brown)
NOVELLA
Winner: The Ballad of Black Tom, Victor LaValle (Tor.com)
Finalists:
The Dream-Quest of Vellitt Boe, Kij Johnson (Tor.com)
“Maggots,” Nina Allan (Five Stories High)
Muscadines, S.P. Miskowski (Dunhams Manor)
The Sadist’s Bible, Nicole Cushing (01 Publishing)
The Warren, Brian Evenson (Tor.com)
NOVELETTE
Winner: “Waxy,” Camilla Grudova (Granta))
Finalists:
“Andy Kaufman Creeping Through the Trees,” Laird Barron (Autumn Cthulhu)
“Angel, Monster, Man,” Sam J. Miller (Nightmare Magazine)
“Breaking Water,” Indrapramit Das (Tor.com)
“The Night Cyclist,” Stephen Graham Jones (Tor.com)
“Presence,” Helen Oyeyemi (What Is Not Yours Is Not Yours)
SHORT FICTION
Winner: “Postcards from Natalie,” Carrie Laben (The Dark)
Finalists:
“Animal Parts,” Irenosen Okojie (Speak, Gigantular)
“The Apartments,” Karen Heuler (Other Places)
“Postcards from Natalie,” Carrie Laben (The Dark)
“Red,” Katie Knoll (Masters Review)
“Things With Beards,” Sam J. Miller (Clarkesworld)
SINGLE-AUTHOR COLLECTION
Winner: A Natural History of Hell, Jeffrey Ford (Small Beer Press)
Finalists:
Almost Insentient, Almost Divine, D.P. Watt (Undertow)
Furnace, Livia Llewellyn (Word Horde)
Greener Pastures, Michael Wehunt (Shock Totem)
We Show What We Have Learned, Clare Beams (Lookout)
EDITED ANTHOLOGY
Winner: The Starlit Wood, edited by Dominik Parisien and Navah Wolfe (Saga Press)
Finalists:
Autumn Cthulhu, edited by Mike Davis (Lovecraft eZine Press)
The Madness of Dr. Caligari, edited by Joseph S. Pulver, Sr. (Fedogan and Bremer )
Those Who Make Us: Canadian Creature, Myth, and Monster Stories, edited by Kelsi Morris and Kaitlin Tremblay (Exile Editions)
An Unreliable Guide to London, edited by Kit Caless and Gary Budden (Influx Press)
BOARD OF DIRECTORS AWARD to Ruth Franklin in recognition of the biography, Shirley Jackson: A Rather Haunted Life.
Shirley Jackson (1916-1965) wrote such classic novels as The Haunting of Hill House and We Have Always Lived in the Castle, as well as one of the most famous short stories in the English language, “The Lottery.” Her work continues to be a major influence on writers of every kind of fiction, from the most traditional genre offerings to the most innovative literary work.Congratulations to all the winners.
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