Summer Scares Resources

Click here to immediately access the Summer Scares Resource page so that you can add some professionally vetted horror titles into your reading suggestions and fiction collections for all age levels.

Monday, October 2, 2017

31 Days of Horror: Day 2-- Overview on How to Use This Blog

I am going to use much of this first week of the blog-a-thon to explain the basics of what you can find here on the site and how to use it to help readers now and all year long.

Most of you are used to reading my daily, more general RA Service posts on the main blog. This blog is much different, yet in many ways, it is more useful in that you can use it to help readers in real time.

It’s been a few years since I have really talked about the purpose and philosophy of this blog and since my readership has gone up quite a bit, I thought now was a good time to do that today.

First and foremost, this book is a companion and update to my latest book-- The Readers’ Advisory Guide to Horror, 2nd edition. So this site is a free update to the book which is now 5.5 years old. The book lists in print are still helpful, especially since all of the reviews I have done since and posted here on the blog also use tags that match with the chapters so you can easily update the lists with newer titles.

Speaking of reviews, that leads to the second point about how to use this blog. Reviews, resources, and original content created by me, most of what you many need to help people is organized and archived into pages. As you can see to the left, there are many pages, but this allows the information you would need to help a patron as they stand in front of you.

While the main blog is a daily site which is all about what is going on in all of RA Service right this moment, the horror blog is more specialized. What kind of information do you need and how you can retrieve it quickly? It is focused on lists and resources, not the issues. That is not to day that I do not address issues here, but they are not the main focus.

Third, this blog is the go-to place for you, the library worker to educate yourself on the horror genre.. It is where you go to keep your collections in shape AND a place to find good under the radar or older reads. You can use it as much to help yourself as you can use it to help your patrons.

This is just a general overview of what you can expect to find on the horror blog and how it will help you. I am taking advantage of your interest in horror this month to showcase what I have here all year long. As this first week of October begins, I will be going into a little more detail about how to use the wealth of information I have gathered and organized here over the years. I know I have your attention right this minute, but I hope that today, and for the full 31 days of October, I can convince you to take horror seriously all year long. Heck may be I’ll even get you to recommend a scary story in May.

Join me on my journey to help you become a horror expert- no matter how you personally feel about the genre- because it is not about you at all, it’s about your readers, and this month, is when you will get the highest number of those want to feel the fear and read a scary book. But, I also am going to keep reminding you that horror is here the other 11 months of the year too.

So keep coming back, every day this month. I’ll be here with something new for you each day.

Sunday, October 1, 2017

31 Days of Horror: Day 1- Welcome from Me and Daryl from LAPL

Welcome to 31 Days of Horror the ONLY library worker focused 31 day celebration of horror on the Internet. Today I begin this blog-a-thon where I push myself to the limits in order to help you help your horror readers.

I do this both for the here and now, to help you during this busy month of horror requests, but I also subject myself to this marathon to remind you that horror doesn’t have to only be promoted and read in October. This blog is always here to help you. In fact, the past 31 Days of Horror posts are easily accessible on my permanent page entitled “Features Archive:”

31 Days of Horror: A post a day each October
I suggest you start this haunting season by looking through some of that older material. There are hundreds of reviews, interviews, and links.

As I go through the month, I will be highlighting new resources, reviews, and other items of note. As usual I have also asked a number of fans, library workers, and authors to submit posts about why they love horror. These posts are meant to both illustrate the different appeal factors that make horror the genre of choice for a variety of patrons and to give you another perspective on possible titles and authors to try. You can pull up just these “Why I Love Horror Posts” by clicking here or using the tag in the right gutter of every page of this blog.

This year I am starting off right away with one of those “Why I Love Horror Posts” with one of my new library friends who I met at StokerCon this past April, Daryl Maxwell from the Los Angeles Public Library Daryl is a huge honor fan and he works tireless to promote the genre to his patrons. Click here to see some samples of the interviews he has done with horror authors for LAPL’s blog. And click here for dozens of reviews of horror tiles Daryl has also contributed to LAPL’s staff recommendations site.

See I wasn’t exaggerating, he’s a tireless supporter of the genre. Which is why I asked him to have the honor of opening the month. You guys hear from me all of the time. It’s time to let someone else take the floor first.

Below is Daryl’s essay on why he loves horror. It is a personal story, but Daryl also never stops librarianing and he gives all of you plenty of suggestions and tips on how to identify titles for yourself and your patrons.

So here we go. Let the blog-a-thon begin. Take it away Daryl.....

************************************
When Becky first asked me to contribute to her blog and write about why I enjoy reading Horror, it took me a minute (OK, a few minutes) to even begin to come up with an answer. I had never actually considered why I like reading horror stories (long or short form) or enjoyed watching horror movies. It feels like I always have. 
I was a reader from a very young age and almost from the beginning gravitated to Fantasy and Science Fiction – or, as I now like to refer to it, Speculative Fiction. That led to an early interest in the Sci-Fi films of the 50s that were somewhat regularly shown on television at the time, and the relatively recent re-runs of Star Trek being shown every evening in syndication. These led to discovering the Creature Feature programs – the ones on Saturday nights with a “Horror Host” that regularly featured Universal Studios’ classic horror films of the 1930s-1950s. 
When I was 11 or 12 years old, I begged to be able to stay up WAY past my bedtime to watch George Romero’s Night of the Living Dead on the “Late, Late Show.” I had read about it in Famous Monsters of Filmland magazine and had to see it. This was not a great idea. About 2/3 of the way through the film I was so freaked out that I turned off the TV and went to bed before the film was over (and, given the images in my head, and the accompanying dreams that evening, this was clearly not a wise choice). I would be in my early 20s before I finally sat down and watched the entire film, including the horrifying twist at the end! 
Sci-Fi, Fantasy and Horror movies, of course, led to me seeking out genre books at the library. And genre books led me to look for additional movies and TV shows. It was a wonderful vicious circle, with one media feeding the other and vice-versa. 
After seeing The Last Man on Earth with Vincent Price and The Omega Man by Charlton Heston, I sought out the novella upon which both movies are (VERY loosely) based: Richard Matheson’s classic I Am Legend. This novella forever altered how I would look at those “things that go bump in the night,” and I still hope that someday, someone will make a film that is faithful to Matheson’s vision. I read Frankenstein by Mary Shelley, Dracula by Bram Stoker and what I often think of as Stephen King’s best novel, Salem’s Lot. That, of course, led to me waiting anxiously for the TV movie of the same name (which was terribly disappointing). 
While in High School I worked as a Page in my local library. After seeing how popular it was, I decided to check out another King title, which was brand new at the time, The Stand. There is really nothing like reading a story about an artificially created disease that is 99.9% communicable and 99.9% fatal. If you are near someone who has it, you will get it. If you have it, you will die. Every time someone at school or in the Library sneezed or coughed I had stop myself from running somewhere, anywhere else. Decades after reading that book, I still remember The Stand. The right book at the right time will leave a mark! Now, as an adult and a Librarian who regularly recommends strong horror titles when asked for reading suggestions, I have a few guesses as to why we seek out these stories. 
As I said before, I was drawn to Speculative Fiction early in my reading life. Speculative Fiction stories ask “what if?” questions. They ponder how things would, or could be. If we had the technology to do this, how would our lives be better? What would it be like to have magical powers? Or a dragon? Or a dragon with magical powers? And while a great many Speculative Fiction stories may have dark elements, I believe that it is Horror that attempts to answer the dark side of those “what if?” questions. What if science is used for evil instead of good? What if technology breaks free of our control? What if that magical dragon decides it wants to eat us? What if there really IS a monster in the closet or under the bed? We’re fascinated when authors pose these “what if?” scenarios. And many of us can’t be satisfied by only reading about situations that end in a positive manner. We want, and sometimes need, to see how and why things go wrong. And their attraction can go deeper and fulfill a much deeper need that I believe we all share.
Telling frightening or creepy stories around a campfire is something that has been done as long as humans have gathered communally. There is something about sitting in a pool of light, surrounded by the encroaching darkness that lends itself to telling stories about what may be “out there.” I believe that modern Horror novels fulfill those almost primal urges to wonder what is “out there” in the dark that we cannot see.  
I also believe that Horror novels and movies are variations on the experience of riding a roller coaster or other theme park thrill rides/attractions. When you are riding one of these rides, you are able to experience the thrill of an experience that you would NEVER want to have in an uncontrolled way, all while always knowing that you are safe. While the attraction may have “perceived” dangers, any actual risk has almost always been identified and removed before the ride is opened to the public. As a result, riders are allowed that safe thrill. Reading a Horror novel is a very similar experience. It allows readers the chance to feel the thrills and chills of a story about a supernatural creature, or science running amok, without having to deal with the actual peril or consequences. Horror novels can get your pulse racing and, as I mentioned earlier, make you slightly paranoid of your surroundings, all with no “real” threat.
Also, like roller coasters and thrill rides, all Horror novels are not the same. Some are milder, with fewer shocks and less violence but with a great sense of ambiance or mood. Others are full-blown excursions into the depths of unrelenting terror. If you are just starting to read Horror titles, you may want to start with titles that are heavier on tone and mood, like Frankenstein by Mary Shelley, the works of Edgar Allen Poe or Shirley Jackson. Other recent possibilities could be The Historian by Elizabeth Kostova or Stoker’s Manuscript by Royce Prouty (both of which have fascinating takes on the Dracula myth), rather than diving into the deep end with something like Hex by Thomas Olde Heuvelt (which may very well give a reader nightmares). 
Another great place to start is with short stories or novellas. It never ceases to amaze me how much unease a gifted writer can put into a short story. Try looking for any of Horror editor extraordinaire Ellen Datlow’s anthologies. Of particular note are her annual “Best of” collections, which gather notable Horror short stories of the year since 2009, or her themed collections, like The Doll Collection, Black Feathers (avian-themed stories), Lovecraft Unbound (stories set in or inspired by the works of H.P. Lovecraft) or The Cutting Room (motion picture themed stories – there are two stories in this collection that literally gave me nightmares!! Not for the faint of heart!). Novellas – stories too long to be considered short stories yet not long enough to be considered novels – are also a marvelous source for Horror. A MUST read is Victor LaValle’s The Ballad of Black Tom, where LaValle takes one of Lovecraft’s most racially insensitive stories, “The Horror at Red Hook,” and gives it a sharp twist. The result is something terrifying, disturbing and magnificent!

Your local librarian, friends and/or family members who read Speculative Fiction or Horror will also help you find a good place to start. And once you start, you may find yourself being drawn, more and more often, into those dark places only Horror books can take you, to read about the things that live, and die, there. Before you know it, you’ll be half way through a book you may find it terrifying, but will be simply unable to put it down!

Thursday, September 14, 2017

Becky’s First Horror Reviews in IndiePicks!


IT’S ALIVE!!!!! [As you can imagine, I have always wanted to say that for real.]

As I have been mentioning here on the blog and on Twitter, IndiePicks Magazine, is very close to being a reality, so close in fact, that they have put their first ever review columns on their website-- my horror column and Robin Bradford’s romance column.

In case you have missed the news below is more information from Naomi Blackburn, Publisher of IndiePicks from the “Our Story” page:
Being the dedicated bibliophile I am, I am also a fan of my library. I couldn’t afford to read as much as I do if wasn’t. I often tried to seek out some of my favorite “outside” authors and was always told that the libraries didn’t carry them. I researched why and although the reasons made sense, I knew there had to be a solution; one that was a win for the authors, addressed librarians’ concerns, and met industry requirements.  
As I plunged deeper into studying the availability of books, other areas popped up and I saw the same issues related to both music and film. There were a number of great recording artists and movie producers who chose not to go with a traditional studio, but didn’t scrimp on quality.  
I wanted to do something that would serve both industries. To achieve this librarians had to be the ones to review the works. I knew that for a review to have credibility, it had to have the librarian seal of approval. Our editor, Rebecca Vnuk, comes to IndiePicks Magazine with over a decade of library experience, including the American Library Association’s Booklist. If our librarians wouldn’t feel comfortable purchasing the work for their own catalog, we won’t recommend it for your reading list.  
As I got to know the independent authors and artists, I found they were just as passionate about their craft as those Big 5 authors and major studios. These people became my friends and I knew in my heart, if I could do ANYTHING to help them I would.  
I understood library policy and knew librarians wanted to work with authors outside the Big 5. I heard the call from the ALA to open their libraries to these works, but the lack of a recognized review source was still at the forefront of the problem. In searching out a solution my mind went back to my favorite little review magazine and the concept of IndiePicks was born.
Just like with my Booklist reviews, I will be posting my IndiePicks reviews here too. And just like those posts, I will add my “Three Words” to the post. Unless there was something I couldn’t fit in the review, however, I will not add more readalikes or appeal statements. I get a little more room in these columns than normal reviews, so we should be good.  They will also be archived and cataloged on the horror blog for easy retrieval by author last name.

I am contracted to provide at least 3 horror reviews per month, but I know for a fact that in future issues I will have more content than that. [But, that being said, I am the only horror reviewer and I only have space for 3 reviews a month, so please be patient with me.]

And now, here is my first IndiePicks review column. Buy all of these books for your library. They are all out right now!


A NEW GENERATION OF ZOMBIES

Bracken MacLeod is on quite a roll. Last year he released Stranded, which was a finalist for the Bram Stoker Award for Best Novel, and this year he follows up with an utterly original and chillingly realistic take on zombies with Come to Dust (JournalStone/Trepidatio Publishing, $17.95, ISBN 9781945373664). Mitch is an ex-con who lives for his toddler niece, Sophie. He is her unofficial guardian since her mother abandoned her, but he doesn’t mind because this little girl is his everything—until she tragically dies in her sleep. But Sophie’s death is not final. Soon after she dies, children all over the world begin to rise from their graves. The children who return, including Sophie, seem normal (except for varying states of decay) but they also have a terrifying power—one that is not apparent at first. As governments and religious leaders debate what to do about this unique zombie problem and how to regulate these undead citizens, Mitch and his girlfriend go on an adventure to save Sophie from danger and find a safe place for families like theirs to survive in this new world. With a fast-paced, thriller style of storytelling, an emotionally intense premise which will hit anyone who has ever loved a child right in the gut, and a twist that makes it feel fresh, Come to Dust is a story that does not disappoint. Fans of M.R. Carey, Dean Koontz, and The Leftovers will find this a sure bet.

Three Words That Describe This Book: fast paced, emotionally intense, chillingly realistic


SISTERS OF SLAUGHTER 

Also nominated for a Bram Stoker Award last year (in the Best First Novel category) were Michelle Garza and Melissa Lason, twins who are better known as The Sisters of Slaughter. In their second novel, Those Who Follow (Bloodshot Books, $14.99, ISBN 978-0998067995),  the Sisters employ their trademark style of holding no punches on the bloody details in a way that never feels gratuitous. Here we have two alternating storylines about two young, troubled women, twin sisters who do not know of the other’s existence. Celia has been kidnapped in the Arizona desert by Byron, a very evil man with an unknown supernatural power. Held captive with others in an abandoned church, Celia has had the year of her capture (age 14) carved on her forehead. Casey is living in a mental institution. Her behavior is getting more erratic until one day, the number 14 appears scratched into her forehead out of nowhere. Casey and Celia are special girls, with a connection to each other, and the power to overthrow the monster Byron—but will they find each other in time to save themselves (and the others)? They don’t even know what or who they are each looking for. The back-and-forth narration transitions smoothly and keeps the dread and the pace steadily building. There is necessary setup here, but it is all worth it, and the payoff is fantastic. Those Who Follow is a great choice for readers who miss the early 2000’s Leisure Horror line or the horrific tales of the late Richard Laymon.

Three Words That Describe This Book: parallel storylines, intense dread, violent but not gratuitously 


TOP HORROR PICK 


Speaking of fantastic, Hematophages (Sinster Grin, $15.99, ISBN 9781944044558) by Stephen Kozeniewski is one my recent favorites. Paige, an academic who has never left her space station home base, gives the reader insight into a new world of the future where the male gender is extinct, corporations have replaced governments, and most humans live off-Earth. Paige is hired as a historian, part of a team sent on a salvage mission to find a ship that has been lost for centuries. As they travel to their destination, readers meet an intriguing cast of characters and get a tutorial in the intricate workplace politics (remember, this is a world controlled by corporations). When the team reaches the lost ship, the true terror begins, a terror which springs from the hematophages, lamprey-like creatures who attach onto their prey and suck out their insides for nourishment. And these sentient creatures particularly enjoy the human brain. Hematophages has a direct and snarky narration and a seamless inclusion of accurate science which never intrudes upon the fast-paced storytelling, only enhancing it. But because this novel is also horror, it also has terrifyingly awesome and gross scenes of the creatures as they take over the crew, one by one. While this novel is perfect for fans of classic horror movies in space like Alien or Event Horizon, it is also equally influenced by twenty-first-century horror classics like The Rising and The Ruins with more than a touch of the humor of Office Space. All that and a perfect horror ending means that the only problem you will encounter as you hand-sell this book to readers is how to pronounce the title and author’s last name.

Three Words That Describe This Book: dark humor, great world building, terrifying

Wednesday, August 2, 2017

Annual Science Fiction, Fantasy, and Horror Spotlight in Booklist

August is Horror's chance to shine in Booklist, and since I write for them, I always have a heavy hand in this issue.

This issue is one of your biggest resources as you plan for the October horror onslaught, so pay attention whether you personally like horror or not!

I posted my three reviews in this issue here and have added them to the Horror Review Index here:


I also never announced the addition of another review in a previous issue that has now been added to the Index:

These are stories written in the Romero universe. It is an excellent collection on it's own and with the passing of the influential director's death it is a must buy for all library collections.


Also in this issue you can find my interview with Les Klinger, the author of The New Annotated Frankenstein (review above). It's entitled, Leslie S. Klinger and the Fine Art of Annotation. You may think this sounds boring, but I got to spend time with Les and we talked about annotating and why it is so interesting and cool. All librarians can learn from him. He has annotated Gaiman's Sandman series, Sherlock Holmes, HP Lovecraft and he is about to release an annotated Watchmen. In other words, click through and read my article.

Not involving me at all, but very important is the Top 10 list of the best Science Fiction, Fantasy and Horror on audio. Click here for the list which includes a lot of horror.

Finally, this issue also has the Booklist Horror Top 10 for the past year. The list was chosen by horror author and Booklist Editor, Daniel Kraus. He starts with the starred horror reviews from the past year and then he has full control to pick the lists from that narrowed down field. I am proud to say that 8 of the top 10 are books I reviewed. It makes me so happy to help these books get into libraries. Speaking of, if a book is on this list, you should buy it for your library. It represents the bare minimum of the latest horror you should own in any public library collection.  Here is the link for the full list and annotations. I have also listed the titles below; those with an * were reviewed by me and can be found in the Horror Review Index or with the link provided:

This should be enough to keep you busy for a while. Halloween is only 89 days away.

Tuesday, July 18, 2017

YA Horror Novels of 2017 via Stacked

Click here for Kelly Jensen’s run down of 2017 YA horror.

Kelly runs one of the best and most comprehensive YA books sites on the web- Stacked- and she loves horror.

Remember that YA horror is often perfect for adults who don’t want too much blood and gore but still want to feel the fear.

Personally, I am not a huge YA fan. I get annoyed by the whiny teen protagonists, but then again I am living in a home with 2 teens so....

But not with YA horror. I really enjoy it. I feel like sometimes, it is better than adult horror because the authors can’t just fall back on blood and guts, they have to work to create the anxiety, fear, and terror.

I have said it a million times, Rot and Ruin by Jonathan Maberry is one of the best zombie novels ever written.  I also like Amy Lukavics whose newest book is on Kelly's list.

Since Kelly likes YA horror so much, she has a lot of posts about it. And since she is a “reformed” librarian [her words], she has it all well cataloged. Just click here and you can pull up every horror post from Stacked.


Monday, July 17, 2017

2016 Shirley Jackson Award Winners

Over the weekend, my favorite awards were announced-- the Shirley Jackson Award winners.

For those new to the game here is all the info on this amazing cross-genre award:

Boston, MA (July 2017) — In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, The Shirley Jackson Awards, Inc. has been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. 
The Shirley Jackson Awards are voted upon by a jury of professional writers, editors, critics, and academics, with input from a Board of Advisors. The awards are given for the best work published in the preceding calendar year in the following categories: Novel, Novella, Novelette, Short Story, Single-Author Collection, and Edited Anthology. 
The 2016 Shirley Jackson Awards were presented on Sunday, July 16th at Readercon 28, Conference on Imaginative Literature, in Quincy, Massachusetts. Naomi Novik hosted the ceremony.
The winners for the 
2016 Shirley Jackson Awards are: 
NOVEL
Winner: The Girls, Emma Cline (Random House) 
Finalists
Foxlowe, Eleanor Wasserberg (Fourth Estate-UK/Penguin Books-US)
I’m Thinking of Ending Things, Iain Reid (Gallery/Scout)
Lily, Michael Thomas Ford (Lethe)
Mongrels, Stephen Graham Jones (William Morrow)
The Wonder, Emma Donoghue (Little, Brown) 
NOVELLA
Winner: The Ballad of Black Tom, Victor LaValle (Tor.com) 
Finalists:
The Dream-Quest of Vellitt Boe, Kij Johnson (Tor.com)
“Maggots,” Nina Allan (Five Stories High)
Muscadines, S.P. Miskowski (Dunhams Manor)
The Sadist’s Bible, Nicole Cushing (01 Publishing)
The Warren, Brian Evenson (Tor.com) 
NOVELETTE
Winner: “Waxy,” Camilla Grudova (Granta)) 
Finalists:
“Andy Kaufman Creeping Through the Trees,” Laird Barron (Autumn Cthulhu)
“Angel, Monster, Man,” Sam J. Miller (Nightmare Magazine)
“Breaking Water,” Indrapramit Das (Tor.com)
“The Night Cyclist,” Stephen Graham Jones (Tor.com)
“Presence,” Helen Oyeyemi (What Is Not Yours Is Not Yours) 
SHORT FICTION
Winner: “Postcards from Natalie,” Carrie Laben (The Dark) 
Finalists:
“Animal Parts,” Irenosen Okojie (Speak, Gigantular)
“The Apartments,” Karen Heuler (Other Places)
“Postcards from Natalie,” Carrie Laben (The Dark)
“Red,” Katie Knoll (Masters Review)
“Things With Beards,” Sam J. Miller (Clarkesworld) 
SINGLE-AUTHOR COLLECTION
Winner: A Natural History of Hell, Jeffrey Ford (Small Beer Press) 
Finalists:
Almost Insentient, Almost Divine, D.P. Watt (Undertow)
Furnace, Livia Llewellyn (Word Horde)
Greener Pastures, Michael Wehunt (Shock Totem)
We Show What We Have Learned, Clare Beams (Lookout) 
EDITED ANTHOLOGY
Winner: The Starlit Wood, edited by Dominik Parisien and Navah Wolfe (Saga Press) 
Finalists:
Autumn Cthulhu, edited by Mike Davis (Lovecraft eZine Press)
The Madness of Dr. Caligari, edited by Joseph S. Pulver, Sr. (Fedogan and Bremer )
Those Who Make Us: Canadian Creature, Myth, and Monster Stories, edited by Kelsi Morris and Kaitlin Tremblay (Exile Editions)
An Unreliable Guide to London, edited by Kit Caless and Gary Budden (Influx Press)
 
BOARD OF DIRECTORS AWARD to Ruth Franklin in recognition of the biography, Shirley Jackson: A Rather Haunted Life.
 
Shirley Jackson (1916-1965) wrote such classic novels as The Haunting of Hill House and We Have Always Lived in the Castle, as well as one of the most famous short stories in the English language, “The Lottery.” Her work continues to be a major influence on writers of every kind of fiction, from the most traditional genre offerings to the most innovative literary work.Congratulations to all the winners.
Please make sure you take a look at the long list here [and above] as all of the nominated titles are fantastic and many would not be noticed anywhere else because they do not easily fit into a single genre.