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Showing posts sorted by relevance for query lee jordan. Sort by date Show all posts
Showing posts sorted by relevance for query lee jordan. Sort by date Show all posts

Sunday, October 28, 2012

31 Days of Horror: Day 28-- Guest Post by Author Lee Jordan

A bit late on the post today, but the family and I were at the Bears game most of the day, and boy was it exciting.  Back home, and the pooped kids are in bed, so now it is time to return to the scares.

We are getting down to the home stretch.  I have 1 more review, 1 more multiple book giveaway, and still a few surprises coming.

Today, I turn things over to another up-and-coming author Lee F. Jordan who offered this personal account of why he has devoted his writing career to horror.  I really like how he gets at one of the main appeals of the genre...that although it is outrageous, a part inside all of us fans knows it might turn out to be true.

Tomorrow, at some point, I will have a review of Jordan's newest novel, Coronation up on the blog.

In the meantime, you can visit Lee F. Jordan's homepage at http://leefjordan.com/

*************************************************************

Why write horror?
Why write anything else?
Lee F. Jordan


Every now and then, I am asked to submit a piece for a magazine or online blog, and although I wish it was because my name was instantly recognizable among the horror denizens, the simple fact is that perhaps it is the oddity that horror writers must possess that gets me these invitations. Contrary to most of the emails I tend to get, I do not live beneath a decrepit mausoleum with constant irrational thoughts bombarding my wakeful state.

It isn’t a case of what to write so much as what not to write. If the script is already laid out, then the ending is also predictable. For example, if I tried to pen a romance story, the formula would be relatively simple: boy meets girl; both dislike each other intensely until they discover a common thread; boy then pursues girl like a lap dog; girl spurns the attempts until a romantic moment ensues; etcetera; etcetera; ad nauseam. But all the readers know well in advance that the two will get together in the end. Happy endings are what the world thrives on.

But then there is the horror author (or the freshman horror author as I tend to refer to myself). The ending is unknown, the path undecided and the predictability out the window.
Happy endings are never assured.

I have always heard that an author, to be successful, should write about a subject that is familiar. Perhaps something that happened in a previous life, or was intense enough to spur a long-standing memory. In that one simple axiom, lies the problem for those of us devoted to writing horror. If this kind of stuff actually happened, then we probably wouldn’t want to write about it for fear of being declared legally insane and locked up.

The dilemma of what to write begins before the keyboard is even opened for some of us. However in reality, I wouldn’t want the kinds of things I write about to happen to my worst enemy, let alone myself. Others, perhaps the ones who do live under mausoleums or have several ex-wives, would probably disagree with me.

Interesting conundrum, actually.

Would my horror be more terrifying, the blood darker, the gore gorier, the eviscerations more insatiable, if I had experienced them myself? If Lizzie Borden still carried an axe, would she be a good horror writer?

This subject, the darkness that lies inside men and women, is like an untapped ore vein to me; one that lies richly below the surface and is just waiting to be harvested like a winter crop. It has always been clear to me; to write anything else would be frivolous. Not that I dislike other subjects, as I am a voracious reader of everything I can get my hands on from mysteries to non-fiction, but I love the dark.

Love it!

There is a richness there, in the dark, that does not exist anywhere else. Where else, for example, can the headless walk among us, the dead rise with purpose, and the vampires harvest so succinctly? When I get to bend the rules of physics, break the Ten Commandments, bleed the poor and feed the greedy, and then come out the other side unscathed, all in the space of a few thousand words; that is when my juices get to flow.

Horror has no rules, as I see it. And for that reason alone, I cannot fathom writing anything else. (Boy may end up with girl at the end of the story, but there is no guarantee that the girl will have all of her parts attached in the correct places.)

Not to mention, it could be true.

If there was zero chance of horror being true, if this were the only universe, if there wasn’t the question of whether evil really exists and to what extent, then the act of writing horror would lose its luster to me. The very fact that the lights turned down low, the tree scraping on the window pane, the sound of damp footsteps outside the door, and the possibility of monsters in the closet only enhances the obvious: we just aren’t sure about a lot of things in this world… or in other worlds.

So when my laptop opens, and my fingers start to draw something that I hope will cause the reader to question the elements surrounding our very existence, then I know I have written something that perhaps will be remembered.

There is a song by the rock group Delain I listen to entitled “We Are The Others” that is a catchy tune about non-conformity. Every time I hear the song, I think of the boundaries that exist in daily life and the manacles that we impose on ourselves. And then I smile because I realize that writing horror gives me the rare privilege of breaking those chains.

Not to mention, it could be true.

Monday, October 29, 2012

31 Days of Horror: Day 29-- Review of Coronation by Lee Jordan


 Coronation
Yesterday, I had this guest post by Lee F. Jordan.  So today, I am reviewing his latest novel, Coronation.

Coronation has had the least attention of the books I have reviewed this month, and now that I have read it, that makes me angry because it is very good and deserves more readers.

The story was inspired by three actual nautical mysteries and these historical events are referred to throughout the story.  We begin with a creepy prologue in modern day with a submarine full of dead, hanging, smiling soldiers.

The story then quickly goes back to the 1800s and one of the the nautical mysteries, in this case the gruesome murders of lighthouse workers.

Then the story goes back to present day and we start to meet the main players in the present.

Let me say this shifting of time line and point of view continues throughout the story, but it is not confusing at all.  In fact, quite the opposite.  This shifting enhances the unease of the story.  We see a great evil from different perspectives and over a long period of time.

But this bouncing around also shows a restraint in storytelling. Jordan allows the tension to build, giving us little details, enough to keep us turning the pages compulsively, but not enough to blow the cover off the main evil.  As a result, I wanted to put the book down, but I literally could not.  I kept wanting to read just a little more. It was like an addiction.

Reading Coronation is like peeling an onion-- an evil, bloody, ancient evil driven onion.

This is an action oriented story.  Jon David is the most developed of the characters here, but don't expect more character development than is necessary to move the story along.  This is not a knock on the novel at all.  The point of the story is to move the action along.

Let's get to that action.  Our main character is a supernatural Navy investigator, Jon David.  He is called in to investigate that submarine full of dead people I mentioned at the beginning.  I will not give more details away except to say that the past and the present are connected, and there is a lot of blood, evil, and terror.

Since Jon David is a Naval detective this is horror with a strong investigative element. He is able to stop the evil human mastermind, but as Jon David is recuperating, the ancient evil is regrouping and staging a comeback.  I think Jon David will need to be called back into action to use his dark gift to stop the monsters once again.

Three Words That Describe This Book: supernatural thriller, action oriented, terrifying

Readalikes: This was easy because I immediately thought of a few works.  First, the classic gruesome and violent The Night Boat by Robert McCammon.  It is out of print, but available at many libraries and features a long ago sunken Nazi submarine that resurfaces with a zombie crew. I love this book.

For those who want more true nautical mysteries which feature a horror answer, try Terror by Dan Simmons.  Vice versa, if you like Terror, try the lesser known Coronation.  As I said about Terror  in my book:

"Simmons adds a supernatural twist in this historical novel of Sir John Franklin’s mysterious and failed 1840’s arctic search for the Northwest Passage.  No one knows what really happened after the ships became trapped in the ice, but Simmons’ description of disease, cannibalism, and a monstrous creature stalking the crew is compelling and terrifying.  This is an intricately plotted story with an oppressively menacing atmosphere."


Finally, Jon David reminded me of Jonathan Maberry's bestselling, supernatural thriller hero Joe Ledger.  In fact, Jordan's choice of quick changes in point of view, as well as a story line with human and supernatural evil will appeal to Joe Ledger fans.  Here is my review of Patient Zero, the first book in this series.  Scroll down to see comments by Maberry too.

Full disclosure: I received a copy of Coronation from the author for free so that I could add it to my library's collection.

Sunday, October 12, 2014

31 Days of Horror -- Day 12: Horror for Kids [With a Giveaway]

I know I am pretty focused on horror for an adult audience, but a love of horror as an adult begins in our childhoods. So I cannot ignore our youth, but I do need to admit that I need help when it comes to suggesting horror for kids beyond R.L. Stine and the Scary Stories series [both which rock, but are not the only choices out there.]

Thankfully, there are my friends and colleagues over at Monster Librarian, who like me fight the good fight promoting horror to a library audience.  One of their specialties happens to be scary books for kids.  Click here to get started with their suggestions.

There is one 2014 title for kids that I do know a bit more about though. One Creepy Street: Annica’s Broom is the first children’s book by horror novel writer Lee Jordan. [Click here for more on Jordan.] From the Kirkus review:
"Don’t text and drive—or fly. In his debut picture book, Jordan shows that it’s a lesson a witch is never too young to learn. 
Annica lives on One Creepy Street, where her neighbors are “wizards and lizards and a mean old warlock. / Some were weird and others plain scary, / A few had retired including an evil tooth fairy.” When she turns 13, her mother lets her set off on a new broom all by herself, but warns her to keep her eyes on the road—well, the sky—and her hands off her phone. It’s easy to guess how long young Annica’s resolve lasts on that count. Almost immediately, she crashes out of the sky and finds herself looking into the frightening face of Officer Tate. The one-eyed policeman “gnawed on the [rotten] apple with his jaw set firm, / and between his teeth was crawling one-half of a worm.” Jordan doesn’t shy away from details that young readers will find deliciously creepy. Officer Tate takes Annica to find someone on One Creepy Street who can help her fix her broom. A purplish troll chained to a bridge “snorted and grumped and swatted a nagging horse fly. / The carcass fell into the pan, a new seasoning to try.” But the troll refuses to help her, as does Mort the Mortician and a diabolical fallen elf who delights in breaking limbs off dolls. Annica’s plight prompts the elf toward his own epiphany: He’s sick of being bad and willing to help her out, if it means a chance to go back to the North Pole. In any case, as Officer Tate points out, Annica has learned her lesson. Jordan creates a satisfyingly detailed world on One Creepy Street, filled with characters who could have been easy clichĂ©s but are instead fresh and a little bit funny. He keeps the creep factor age-appropriate, while giving gross-out–loving kids exactly what they want. The singsong tone wears thin, and there are places where the meanings of words are stretched a tad too far just to make a rhyme, but the plot and characters move quickly enough to carry the book, and the brightly colored illustrations feature characters with extremely detailed and expressive faces. 
An enjoyable book for young readers ready for mild scares. "

Sounds good, right?  Well,  I have a signed copy of One Creepy Street: Annica’s Broom to giveaway courtesy of it’s author.  It is not an ARC so it can be added to your library’s collection. I will do this as a random drawing, but due to the Columbus Day Holiday for many US Libraries tomorrow, I will give everyone a few days to get their entires in.

Email me at zombiegrl75[at]gmail[dot]com before 5pm central time on 10/14 to be entered into the drawing.  I will be conducting a few giveaways this week, so you need to have "KIDS GIVEAWAY” in the subject to be eligible.

Good luck.

Tomorrow I will tackle Teen titles and have another giveaway!

Thursday, February 21, 2013

Horror Readers' Advisory Book Update: Authors

When I first started this blog, I promised to use it as an update to my print book, and while everything I post technically adds to the value of the book, today's post is an actual update to the authors listed in Chapter 3: Horror 101: A Crash Course in Today's Tales of Terror.

In that chapter I break up today's need to know authors into a few categories. One of those categories is "Pulps Kings." These are horror authors publishing original paperback fiction whose books I feel every library with a known horror readership should own. In other words, these should be your go-to pulp horror authors.

The book lists: Brian Keene, Nate Kenyon, John Everson, Gary Braunbeck, Robert Dunbar, and Jeff Strand.  To this list I am updating with the following authors and descriptions.


J. G. Faherty writes character driven horror which often has an ancient evil setting and incorporates teenaged protagonists.  He often uses a mix of supernatural occurrences and beings to ratchet up the fear and his use of gore is moderate.  Of the better known authors, I would compare him to Peter Straub. Try Cemetery Club which  begins with 4 friends awakening an ancient evil that they contain but don’t defeat and then flashes forward 20 years when the friends need to reunite for a final showdown.

Gregory Lamberson walks the line between horror and not quite horror, but there is no denying his popularity with horror fan because his Jake Helman Files series is scary as heck. Jake resigns from the NYC police force and becomes a private detective specializing, by accident, in supernatural crimes.  These are gory and terrifying novels, but reviewers are constantly commenting on how imaginative and original the stories feel.  More horror than Huston’s Joe Pitt series, but still with a strong investigative element, Lamberson is an author to keep an eye on. Try the first book in the series, Personal Demons

Law enforcement officer Joe McKinney knows a thing or two about catching bad guys, but in his terrifying Dead World series, he imagines an evil much worse than a mere human criminal.  After five hurricanes in a row slam into the Texas Gulf coast, “from the rubble, a virus has been born that is reanimating the dead--thousands of them at a time!  Quickly, the virus spreads across the entire state of Texas, as hordes of hungry zombies begin taking over.  This is a terrifying and action packed series with a realistic premise.” The first book is Dead City.

Finally, I would like to add a list of newer authors, all who have been mentioned on RA for All: Horror previously, who are making enough of an impact that you should be on the look out for new titles by them. All links go to areas on this blog where the author was discussed and/or his book reviewed.
Now that my book is a year old, look for more frequent official updates to the print here on the blog.

Wednesday, February 23, 2022

Bram Stoker Awards Finalists w/ review links

I am very excited to present the The 2021 Bram Stoker Awards® Final Ballot. Below I have reprinted the entire ballot with the addition of my reviews where appropriate.

Now, I need to go figure out who I am going to vote for because this ballot is filled with some amazing choices.



The 2021 Bram Stoker Awards® Final Ballot Announced

The Horror Writers Association (HWA) is pleased to announce the Final Ballot for the 2021 Bram Stoker Awards®. The HWA (see http://www.horror.org/) is the premier writers organization in the horror and dark fiction genre, with more than 1,800 members. We have presented the Bram Stoker Awards in various categories since 1987 (see http://www.thebramstokerawards.com/) 

Works appearing on this Ballot are Bram Stoker Award® Nominees for Superior Achievement in their Category, e.g., Novel, and everyone may refer to them as such immediately after the announcement.

The HWA Board and the Bram Stoker Awards® Committee congratulate all those appearing on the Final Ballot. Notes about the voting process will appear after the ballot listing.

If your work appears on this ballot and you would like to offer it to voting members of the HWA in the Internet Mailer to be sent on or around February 25, please see important information following the ballot.
The 2021 Bram Stoker Awards® Final Ballot

Superior Achievement in a Novel
Castro, V. - The Queen of the Cicadas (Flame Tree Press)
Hendrix, Grady - The Final Girl Support Group (Berkley)
Jones, Stephen Graham - My Heart is a Chainsaw (Gallery/Saga Press)
Pelayo, Cynthia - Children of Chicago (Agora Books)
Wendig, Chuck - The Book of Accidents (Del Rey)

Superior Achievement in a First Novel*
  • Martinez, S. Alessandro - Helminth (Omnium Gatherum)
  • McQueen, LaTanya - When the Reckoning Comes (Harper Perennial)
  • Miles, Terry - Rabbits (Del Rey)
  • Piper, Hailey - Queen of Teeth (Strangehouse Books)
  • Quigley, Lisa - The Forest (Perpetual Motion Machine Publishing)
  • Willson, Nicole - Tidepool (The Parliament House)
*Due to a tie in fifth place, there are six nominees in this category.

Superior Achievement in a Graphic Novel
  • Ahmed, Saladin (author) and Kivelä, Sami (artist) - Abbott 1973 (BOOM! Studios)
  • Garcia, Kami (author); Suayan, Mico (artist); Badower, Jason (artist); and Mayhew, Mike (artist) - Joker/Harley: Criminal Sanity (DC Comics)
  • Manzetti, Alessandro (author); Cardoselli, Stefano (author); and Cardoselli, Stefano (artist) - The Inhabitant of the Lake (Independent Legions Publishing)
  • Morrison, Grant (author); Child, Alex (author); and Franquiz, Naomi (artist) - Proctor Valley Road (BOOM! Studios)
  • Panosian, Dan (author) and Ignazzi, Marianna (artist) - An Unkindness of Ravens (BOOM! Studios)
 
Superior Achievement in a Young Adult Novel
  • Blake, Kendare - All These Bodies (Quill Tree Books)
  • Boyle, R.L. - The Book of the Baku (Titan Books )
  • Lewis, Jessica - Bad Witch Burning (Delacorte Press)
  • Sutherland, Krystal - House of Hollow (G.P. Putnam's Sons)
  • Waters, Erica - The River Has Teeth (HarperTeen)

Superior Achievement in Long Fiction

Superior Achievement in Short Fiction
  • Gyzander, Carol - “The Yellow Crown” (Under Twin Suns: Alternate Histories of the Yellow Sign) (Hippocampus Press)
  • Murray, Lee - “Permanent Damage” (Attack From the ‘80s) (Raw Dog Screaming Press)
  • O’Quinn, Cindy - “A Gathering at the Mountain” (The Bad Book) (Bleeding Edge Books)
  • Taborska, Anna -“Two Shakes Of A Dead Lamb's Tail”(Terror Tales of the Scottish Lowlands) (Telos Publishing)
  • Ward, Kyla Lee - “A Whisper in the Death Pit” (Weirdbook #44) (Wildside Press)

Superior Achievement in a Fiction Collection
  • Files, Gemma - In That Endlessness, Our End (Grimscribe Press)
  • Fracassi, Philip - Beneath a Pale Sky (Lethe Press)
  • Maberry, Jonathan - Empty Graves: Tales of the Living Dead (WordFire Press LLC)
  • Tuttle, Lisa - The Dead Hours of Night (Valancourt Books)
  • Wise, A.C. - The Ghost Sequences (Undertow Publications)

Superior Achievement in a Screenplay
  • Chaisson, C. Henry; Antosca, Nick; and Cooper, Scott - Antlers (Searchlight Pictures)
  • Dong-hyuk, Hwang - Squid Game, Season 1, Episode 1: "Red Light, Green Light" (Siren Pictures) 
  • Flanagan, Mike; Flanagan, James; and Howard, Jeff - Midnight Mass, Season 1, Episode 6: "Book VI: Acts of the Apostles" (Intrepid Pictures)
  • Graziadei, Phil and Janiak, Leigh - Fear Street: Part One - 1994 (Chernin Entertainment)
  • Peele, Jordan; Rosenfeld, Win; and DaCosta, Nia - Candyman (Universal Pictures)
 
Superior Achievement in a Poetry Collection
  • Lansdale, Joe R. - Apache Witch and Other Poetic Observations (Independent Legions Publishing)
  • McHugh, Jessica - Strange Nests (Apokrupha)
  • Simon, Marge and Turzillo, Mary - Victims (Weasel Press)
  • Sng, Christina; Yuriko Smith, Angela; Murray, Lee; and Flynn, Geneve - Tortured Willows: Bent. Bowed. Unbroken. (Yuriko Publishing)
  • Snyder, Lucy A. - Exposed Nerves (Raw Dog Screaming Press)

Superior Achievement in an Anthology

Superior Achievement in Non-Fiction
  • Knost, Michael - Writers Workshop of Horror 2 (Hydra Publications)
  • Olson, Danel - 9/11 Gothic: Decrypting Ghosts and Trauma in New York City’s Terrorism Novels (Lexington Books)
  • Weinstock, Jeffrey Andrew and Hansen, Regina M. - Giving the Devil His Due: Satan and 
  • Cinema (Fordham University Press)
  • Wetmore Jr., Kevin J. - Eaters of the Dead: Myths and Realities of Cannibal Monsters (Reaktion Books)
  • Woofter, Kristopher - Shirley Jackson: A Companion (Peter Lang Publishing)

Superior Achievement in Short Non-Fiction
  • Ognjanović, Dejan - “The Three Paradigms of Horror” (Vastarien Vol. 4, Issue 2) (Grimscribe Press)
  • O’Quinn, Cindy - “One and Done” (Were Tales: A Shapeshifter Anthology) (Brigids Gate Press)
  • Verona, Emily Ruth - “A Horror Fan's Guide to Surviving Womanhood” (thefinalgirls.co.uk)  
  • Wetmore Jr., Kevin J.  - “Devil's Advocates: The Conjuring” (Auteur Publishing/Liverpool University Press)
  • Yuriko Smith, Angela - “Horror Writers: Architects of Hope” (The Sirens Call, Halloween 2021, Issue 55) (Sirens Call Publications)

Important Notes for those Appearing on the Final Ballot:

If your work appears on the Final Ballot (i.e., you are the author, agent, editor, publisher, or publicist) and you wish to provide a link allowing Voting Members to read the work, there will be a SPECIAL FINAL BALLOT INTERNET MAILER issued on or about February 25.

If your work was listed on the Special Preliminary Ballot Internet Mailer it will be relisted automatically with your previously provided links and you need not email or query.

If links to your work were not included on the Special Preliminary Ballot IM and you want to include them on the Special Final Ballot IM, please email the Internet Mailer editor at imailer@horror.org with the details as soon as you can, but no later than February 24 (links will not be accepted for this Special IM after February 25). You may offer to send electronic copies; provide reading copies on a website; or provide physical copies. Anyone validly representing a work appearing on the Final Ballot may submit via this method, whether or not they are HWA members (this includes the author, agent, editor, publisher, or publicist of the work).

Do NOT spam Voting Members; this is a severe breach of etiquette – Active and Lifetime (voting) members tend to notice such breaches and may consider them when determining which works to vote for on the Ballot.

You may also post the fact that your work is available to be read for Bram Stoker Award consideration ONCE and only once here: http://www.horrorwritersassociation.org/login-forum/  (Bram Stoker Eligible Work). If you had already posted your work here prior to the announcement of the Final Ballot you ARE entitled to post it once more. Note: Only members may post at this Forum, but members are encouraged to post on behalf of non-members who may appear on the Ballot.

February 28: Stoker Final ballot dispatched – please note only Active and Lifetime Members can vote. If you are an Active or Lifetime Member and do NOT receive your electronic ballot link by March 1, please first check your spam/junk mail filter, make sure your email address is updated in Wild Apricot, and then email Brad C. Hodson at admin@horror.org with a brief message about the issue. Note that Ballots are sent to the same email address as the Newsletter and the Internet Mailer. It is the responsibility of Members to keep their email address up to date in Wild Apricot or by advising the administrator of any issues with your membership account at admin@horror.org. Late Ballots cannot be accepted under any circumstances.

March 15: The Bram Stoker Awards final ballot closes at midnight U.S. Pacific Time. Any ballots received after this time will be discarded.

March 15: The 2022 Bram Stoker Recommendation sheet goes live and the 2022 Bram Stoker Awards Juries open to Submissions. Members should hold any Recommendations for works published in the calendar year 2022 until the Sheet is live.

Members wishing to submit work published in 2022 to the relevant Jury should read the information at the Bram Stoker Awards website before doing so here: http://www.thebramstokerawards.com/submissions/

May 14: The 2021 Bram Stoker Awards® announced during the Annual Bram Stoker Awards Banquet held during StokerCon™ 2022 in Denver, Colorado. 

Bookings and information at: http://stokercon.com. Note: Banquet Tickets are separate from the Convention Membership and should be purchased directly from https://www.eventbrite.com/e/stokercon-2022-tickets-102847690210. Click “Tickets” to see the Banquet option as an add-on to your existing registration or an option for a new registration.

Please direct any questions to: stokerchair@horror.org

Bram Stoker Awards® Committee




Friday, May 2, 2014

In Memoriam: The Monster Librarian

The following is a repost from The Monster Librarian Blog in appreciation for all he did to promote horror in libraries.

The Original Monster Librarian
Published by Kirsten on April 26th, 2014 - in Uncategorized
In Memoriam: Dylan Kowalewski, The Original Monster Librarian
September 5, 1973-April 17, 2014


Monster Librarian was the idea and passion of Dylan Kowalewski. Dylan, in a typical burst of optimism and energy, with an intense love of horror fiction, started the site at the end of 2005. Where he got the energy and conviction to start it off less than three months after our first child was born, while working full time and attending library school, I do not have the slightest idea. Library school was an eye-opening experience for him, as over and over again he ran into librarians or soon-to-be-librarians who told him they didn’t like horror fiction, didn’t want to read it, and didn’t know what to hand readers who asked for “something like Stephen King.” He was tired of going to bookstores and finding only the same three or four authors in the “horror” section. Anne Rice and Stephen King were just the tip of the iceberg, but you would never know that from looking there.
Dylan himself grew up down the street from a used bookstore called “Granny’s Attic”. Remember used bookstores? I do. The one I frequented at that age was run by a guy with a beard and a very sneaky cat, with shelves of yellow-spined DAW paperbacks. Dylan’s, apparently, was stocked with killer animal (and killer plant) books from the 1970s and 1980s. As we cleared out the bookshelves in his basement study so new carpet could be installed, he let go of a lot of books, but Guy N. Smith’s Crabs books, James Herbert’s The Rats, and many other well-worn paperbacks stayed.
While I’m not actually working in a library anymore, I do have the degree, and I’ve been a children’s librarian in a public library, a school librarian in an elementary school. I’ve also had plenty of anecdotal experiences in which I’ve run into people who were non-readers who became readers when they discovered Stephen King, or Alvin Schwartz’s Scary Stories to Tell in the Dark, or R.L. Stine. I’ve seen all of these attacked by censors and belittled as trash reading or merely a stop on the way to “real” literature.  And I firmly believe that the world becomes a better place when people learn to read and to love reading. Dylan believed that too, and felt that a lot of kids, teens, and adults, were turned off to reading because the people who have the most influence– parents, teachers, and librarians– didn’t see the value of reading horror for pleasure. He always maintained that reading for entertainment is enough reason to read– there doesn’t have to be deeper meaning, and sometimes a tree really is just a tree.
And so he started Monster Librarian, writing short, objective reviews of just a few sentences, almost completely by himself, and publishing them every week, to create a resource for all those people (especially librarians) who told him “I don’t like reading horror, but I need to know about it”. For a long time that’s the only name by which people knew him. At a conference he attended, someone finally took him around and introduced him– “This is Dylan, the Monster Librarian”.  And he’s the only person who, I think, can ever own that title. At one point he worked full time, had a second job in a library, and put in probably the equivalent to a part-time job in time and effort for the site, as well as being a devoted and loving father and husband.
Most of the people who knew Dylan through Monster Librarian knew him mainly online, but both he and I have been lucky to have both authors and reviewers call us friends. This site became what it is because, in spite of his being an intensely private person, his personality and love of the genre and the horror community always shone through. Bret Jordan, Bob Freeman, David Agranoff, Rhonda Rettig (formerly Wilson), Erik Smith, Kelly Fann, Michele Lee, Colleen Wanglund, Darlene Wanglund, Dave Simms, Patricia O. Mathews, Diana Lord, Sheila Shedd, Hannah Kate,  Aaron Fletcher, Julie Adams, and so many more contributed to making this site what it is– a place where parents write to thank us for finding the right book for their reluctant reader, authors contact us to tell us that finding their book reviewed here convinced them to keep writing, small presses and self-publishers get their names out into the mainstream, Midwestern moms confess their love for horror, and librarians discover the gems of the horror genre.
The work of all these people has made the site a success.
But Dylan is the one who made it happen.
And to quote Amy Dalton, his former manager at the Southport Library, “the only thing monstrous about the Monster Librarian was the size of his heart.”

If you have any memories or stories about your friendship or interactions with Dylan that you would like to share, feel free to email me at kirsten.kowalewski@monsterlibrarian.com.


Wednesday, January 23, 2013

Bram Stoker Preliminary Ballot

The preliminary ballot came out for the Bram Stokers and many of the books I reviewed and the authors who joined me here on the blog were honored for their great work.

Click here for the full preliminary ballot.

But here is the list (with links) of books and authors who appeared on this blog.
Congrats to all of those on the prelim ballot, but a special good luck to these friends of RA for All: Horror.  I am happy to help you to spread your excellent contributions to horror literature and am honored that you took the time to talk to my readers.

Friday, February 21, 2020

2019 Bram Stoker Award Finalists

Click here for the full press release. Congrats to everyone!


THE 2019 BRAM STOKER AWARD FINALISTS


The 2019 Bram Stoker Awards® Final Ballot Special Internet Mailer
The Horror Writers Association (HWA) is pleased to release the Final Ballot for the 2019 Bram Stoker Awards®. The HWA (see http://www.horror.org/) is the premier writers organization in the horror and dark fiction genre, with over 1,600 members. We have presented the Bram Stoker Awards® in various categories since 1987 (seehttp://www.thebramstokerawards.com/).
The HWA Board of Trustees and the Bram Stoker Awards® Committee congratulate all of those appearing on the Final Ballot. Notes about the voting process will appear after the ballot listing.
2019 Bram Stoker Awards® Final Ballot
Superior Achievement in a Novel
Goingback, Owl – Coyote Rage (Independent Legions Publishing)
Malerman, Josh – Inspection (Del Rey)
Miskowski, S.P. – The Worst is Yet to Come (Trepidatio Publishing)
Murray, Lee – Into the Ashes (Severed Press)
Wendig, Chuck – Wanderers (Del Rey)
Superior Achievement in a First Novel
Amor, Gemma – Dear Laura (Independently Published)
Guignard, Eric J. – Doorways to the Deadeye (JournalStone)
Lane, Michelle Renee – Invisible Chains (Haverhill House Publishing)
Read, Sarah – The Bone Weaver’s Orchard (Trepidatio Publishing)
Starling, Caitlin – The Luminous Dead (Harper Voyager)
Superior Achievement in a Young Adult Novel
BĂ©rubĂ©, Amelinda – Here There Are Monsters (Sourcebooks Fire)
Dávila Cardinal, Ann – Five Midnights (Tor Teen)
Gardner, Liana – Speak No Evil (Vesuvian Books)
Marshall, Kate Alice – Rules for Vanishing (Viking Books for Young Readers)
Nzondi – Oware Mosaic (Omnium Gatherum)
Salomon, Peter Adam – Eight Minutes, Thirty-Two Seconds (PseudoPsalms Press)
Superior Achievement in a Graphic Novel
Bunn, Cullen – Bone Parish Vol. 2 (BOOM! Studios)
Gaiman, Neil – Neil Gaiman’s Snow, Glass, Apples (Dark Horse Books)
Liu, Marjorie – Monstress Volume 4: The Chosen (Image Comics)
Manzetti, Alessandro – Calcutta Horror (Independent Legions Publishing)
Tanabe, Gou – H.P. Lovecraft’s At the Mountains of Madness Volume 1 (Dark Horse Manga)
Superior Achievement in Long Fiction
LaValle, Victor – Up from Slavery (Weird Tales Magazine#363) (Weird Tales Inc.)
Manzetti, Alessandro – The Keeper of Chernobyl (Omnium Gatherum)
Taborska, Anna – The Cat Sitter (Shadowcats) (Black Shuck Books)
Tantlinger, Sara – To Be Devoured (Unnerving)
Warren, Kaaron – Into Bones Like Oil (Meerkat Shorts)
Superior Achievement in Short Fiction
Chapman, Greg – “The Book of Last Words” (This Sublime Darkness and Other Dark Stories) (Things in the Well Publishing)
Kiste, Gwendolyn – “The Eight People Who Murdered Me (Excerpt from Lucy Westenra’s Diary)” (Nightmare MagazineNov. 2019, Issue 86) 
Landry, Jess – “Bury Me in Tar and Twine” (Tales of the Lost Volume 1: We All Lose Something!) (Things in the Well Publishing)
O’Quinn, Cindy – “Lydia” (The Twisted Book of Shadows) (Twisted Publishing)
Waggoner, Tim – “A Touch of Madness”(The Pulp Horror Book of Phobias) (LVP Publications)
Superior Achievement in a Fiction Collection
Chiang, Ted – Exhalation: Stories (Knopf)
Jonez, Kate – Lady Bits (Trepidatio Publishing)
Langan, John – Sefira and Other Betrayals (Hippocampus Press)
Read, Sarah – Out of Water (Trepidatio Publishing)
Tremblay, Paul – Growing Things and Other Stories (William Morrow)
Superior Achievement in a Screenplay
Aster, Ari – Midsommar (B-Reel Films, Square Peg)
Duffer Brothers, The – Stranger Things (Season 3, Chapter Eight: The Battle of Starcourt) (Netflix)
Eggers, Robert and Eggers, Max – The Lighthouse (A24, New Regency Pictures, RT Features)
Flanagan, Mike – Doctor Sleep (Warner Bros., Intrepid Pictures/Vertigo Entertainment)
Peele, Jordan – Us (Monkeypaw Productions, Perfect World Pictures, Dentsu, Fuji Television Network, Universal Pictures) 
Superior Achievement in an Anthology
Brozek, Jennifer – A Secret Guide to Fighting Elder Gods (Pulse Publishing)
Datlow, Ellen – Echoes: The Saga Anthology of Ghost Stories (Gallery/Saga Press)
Golden, Christopher and Moore, James A. – The Twisted Book of Shadows (Twisted Publishing)
Guignard, Eric J. – Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror (Dark Moon Books)
Wilson, Robert S. – Nox Pareidolia (Nightscape Press)
Superior Achievement in Non-Fiction
Beal, Eleanor and Greenaway, Jonathan – Horror and Religion: New Literary Approaches to Theology, Race, and Sexuality (University of Wales Press)
Earle, Harriet E.H. – Gender, Sexuality, and Queerness in American Horror Story: Critical Essays (McFarland)
Heller-Nicholas, Alexandra – Masks in Horror Cinema: Eyes Without Faces (University of Wales Press)
Kachuba, John B. – Shapeshifters: A History (Reaktion Books)
Kröger, Lisa and Anderson, Melanie R. – Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction(Quirk Books)
Superior Achievement in Short Non-Fiction
Kiste, Gwendolyn – “Magic, Madness, and Women Who Creep: The Power of Individuality in the Work of Charlotte Perkins Gilman” (Vastarien: A Literary Journal Vol. 2, Issue 1)
Liaguno, Vince A. – “Slasher Films Made Me Gay: The Queer Appeal and Subtext of the Genre” (LGBTQ+ Horror Month: 9/1/2019, Ginger Nuts of Horror)
Renner, Karen J. – “The Evil Aging Women of American Horror Story” (Elder Horror: Essays on Film’s Frightening Images of Aging) (McFarland) 
Robinson, Kelly – “Film’s First Lycanthrope: 1913’s The Werewolf” (Scary Monsters Magazine #114)
Weich, Valerie E. – “Lord Byron’s Whipping Boy: Dr. John William Polidori and the 200th Anniversary of The Vampyre” (Famous Monsters of Filmland, Issue #291)
Superior Achievement in a Poetry Collection
Addison, Linda D. and Manzetti, Alessandro – The Place of Broken Things (Crystal Lake Publishing)
Cade, Octavia – Mary Shelley Makes a Monster (Aqueduct Press)
Lynch, Donna – Choking Back the Devil (Raw Dog Screaming Press)
Scalise, Michelle – Dragonfly and Other Songs of Mourning (LVP Publications)
Simon, Marge and Dietrich, Bryan D. – The Demeter Diaries (Independent Legions Publishing)
Wytovich, Stephanie M. – The Apocalyptic Mannequin (Raw Dog Screaming Press) 
Works appearing on this Ballot are Bram Stoker Award® Nominees for Superior Achievement in their Category, e.g., Novel, and everyone may refer to them as such immediately after the announcement.
Important Notes for those Appearing on the Final Ballot:
If your work appears on the Final Ballot (i.e., you are the author, agent, editor, publisher, or publicist) and you wish to provide a link allowing Voting Members to read the work, there will be a SPECIAL FINAL BALLOT INTERNET MAILER issued on or around February 25.
If your work was listed on the Special Preliminary Ballot Internet Mailer it will be relisted automatically and you need not email or query.
If it was not on the Special Preliminary Ballot IM, please email the Internet Mailer editor at imailer@horror.org with the details as soon as you can, but no later than February 24 (links will not be accepted for this Special IM after February 25). You may offer to send electronic copies; provide reading copies on a website; or provide physical copies. Anyone validly representing a work appearing on the Final Ballot may submit via this method, whether or not they are HWA members (this includes the author, agent, editor, publisher, or publicist of the work).
Do NOT spam Voting Members; this is a severe breach of etiquette – Active and Lifetime (voting) members tend to notice such breaches and may consider them when determining which works to vote for on the Ballot.
If your work appears on the Final Ballot, you may also post the fact that your work is available to be read for Bram Stoker Award® consideration ONCE, and only once, here: http://www.horrorwritersassociation.org/login-forum/(Bram Stoker Eligible Work). Note: Only members may post at this Forum but members are encouraged to post on behalf of non-members who may appear on the Ballot. You may also offer your work for Bram Stoker Award® consideration ONCE, and only once, here: http://hwa46.wildapricot.org/page-1683782 Listed in the Wild Apricot menu as “Works for Consideration”. 
February 28: Stoker Final ballot dispatched – please note only Active and Lifetime Members can vote. If you are an Active or Lifetime Member and do NOT receive your electronic ballot link by March 1, please first check your spam/junk mail filter, make sure your email address is updated in Wild Apricot, then write the Ballotmaster atballotmaster@horror.org with a brief message about the issue. Note that Ballots are sent to the same email address as the Newsletter and the Internet Mailer. It is the responsibility of Members to keep their email address up to date in Wild Apricot or by advising the administrator of any issues with your membership account at admin@horror.org. Late Ballots cannot be accepted under any circumstances.
March 15: The 2020 Bram Stoker Awards® Recommendation sheet goes live and the 2020 Bram Stoker Awards® Juries open to Submissions. Members should hold any Recommendations for works published in the calendar year 2020 until the HWA Bram Stoker Award® Recommendations list is live.
Members wishing to submit work published in 2020 to the relevant Jury should read the information at the Bram Stoker Awards® website before doing so here: http://www.thebramstokerawards.com/submissions/
March 15: The Bram Stoker Awards® final ballot closes at 11:59pm U.S. Pacific Standard Time. Any ballots received after this time will be discarded.
April 18: The 2019 Bram Stoker Awards® announced during the Annual Bram Stoker Awards Banquet® held during the StokerCon™ 2020 in Scarborough, England.
Bookings and information at: https://stokercon-uk.com/ Note: Banquet Tickets are separate from the Convention Membership and should be purchased directly from the website.
Please direct any questions regarding the Final Ballot announcement to stokerchair@horror.org
Any questions regarding your voting ballot to ballotmaster@horror.org 
Your membership/account information to admin@horror.org
If your work appears on the Final Ballot and you have any questions or want to provide information for the Special Preliminary Ballot Internet Mailer write to imailer@horror.org