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Showing posts sorted by relevance for query Brett J Talley. Sort by date Show all posts
Showing posts sorted by relevance for query Brett J Talley. Sort by date Show all posts

Monday, October 22, 2012

31 Days of Horror: Days 22-- Guest Post by Brett J. Talley

There is no author hotter these days than Brett J. Talley.  Everyone is talking about him.  Heck, even I chose to lead off my Library Journal article with The Void:

Brett J. Talley’s novel The Void harkens back to the science fiction tinged horror of H.P. Lovecraft. Enter a world were people can easily travel through space while sleeping. There is a catch however. Travelers are held hostage to their nightmares while in flight; nightmares customized to their own fears; nightmares that have been know to drive people mad. Six travelers, each with a secret encounter an abandoned aircraft, and bad things begin to happen. But is it a dream, their paranoia, or a monster?  Talley creates a creeping sense of unease from the start of The Void, an anxiety that never lets up, continuously builds, and leaves the reader looking over his or her shoulder while frantically turning the pages to find out how it all ends. 
A few months ago, I contacted Talley to let him know I had included him in my piece for Library Journal and asked him if he would participate in my 31 Days of Horror with a guest post.  I was very interested in his opinion on his seemingly overnight success.  He was very willing.

Below is Brett J. Talley's guest post.  You can visit Talley at http://brettjtalley.com.

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What is it like to be a new writer you ask? I wouldn’t know. This is no new pursuit for me. I’ve been writing for as long as I can remember. When I was in second grade, I learned the true joys of reading for the first time, and naturally, I wanted to make some magic of my own. I set about writing my first novel. It was five pages long and was about vampires—Dracula, of course.

People ask me why I chose horror. I didn’t; horror chose me. I think most people who sit down with a pen and a piece of paper want to do two things—they want to tell a story that entertains, and they want to say something about the human condition. The purest and the deepest human emotion is fear. It comes without prejudice and without ulterior motives. It is at the heart of human action, and overcoming it—or at least learning to deal with it—is the greatest challenge we face. There’s nothing I would rather write about.

I’ve said before and I continue to believe that the greatest stories do not spring, fully formed, from the brains of their authors, like Athena from the head of Zeus. Rather, they grow over time, starting off as but the kernel of an idea, an odd tale whispered around the fireside on moonless nights. But great things have small beginnings, and from that tiny seed spring a thousand different tales. Stories of love and loss, of high adventure and magic. And yes, stories of the blackest horrors and nameless fears. The writer is as a huntsman who stalks the forests of society, capturing those archetypes that rumble through our culture and taming them to his own ends. Those of us in horror just so happen to roam the darkest places of the world. But the truly great story isn’t just horror or just romance or just literary fiction. It draws from many wells.

We are fascinated by overnight success. It’s a funny phenomenon, really, especially since there’s no such thing. We don’t see the years of struggle. We don’t see the disappointments, the rejections, the overwhelming feeling that it’s not worth it. Behind every overnight success are many, many, many nights of failure.

That’s the way I feel about That Which Should Not Be and The Void. For years I was but one of millions of people writing down their thoughts on paper with the dream of seeing them in print one day. It was a dream I never thought would come true. The last year has been a whirlwind. From unpublished author to finalist for the Bram Stoker Award®. It’s a feeling that cannot be described, and I sincerely hope that every writer who has had the spark of inspiration and the dedication to make it into reality gets to experience it one day.

But in truth, it’s not for glory, fame, or wealth that we write. If it was, there would be a lot fewer writers in the world. No, it is something different. It is that quest for the perfect tale, for the story that will transcend all others and touch someone’s heart. That is what I seek, and if you need to find me, I’ll be in the darkest wood, searching for the greatest monsters of them all.

Happy hunting.

Thursday, October 13, 2016

31 Days of Horror: Day 13-- Horror Publishers Update with Giveaway

Today is all about horror publishers.  I did my annual update to the Best Independent Horror Publishers For Libraries page.  Click here to see the page or scroll to the end of the post for the information.

But just updating this resource is not enough for my high standards of blog-a-thon material, so before we even get to the list, I wanted to highlight what I think is the best of the bunch-- JournalStone. Now, by my calling them “the best” that does not mean I think no one else has good books. Actually it has more to do with the overall picture of what they publish and how they distribute which makes them the best option for libraries.

Here are my reasons:
  1. JournalStone is easy to order. You can get their books through Ingram and Baker & Taylor. Orders can be placed for their titles just as you would for any major publisher. This is the largest hurdle for many libraries toward adding horror to their collections. If they cannot get it through the normal pipelines, they are discouraged [sometimes prohibited] from ordering it.
  2. JournalStone has the respect of best selling authors and horror masters, so they are able to publish original works by legitimate big name authors like Jonathan Maberry, Christopher Golden, and Gary Braunbeck. Writers whose work you already have in your collections. Writers who has fans waiting for more at your library. Click through to see the full catalog.
  3. JournalStone cares about identifying, developing and publishing the best new voices.  Case in point, Brett J. Talley and Douglass Wynne. Those links go to posts I have done with or about them over the years.
  4. Their monthly newsletter is great! It is full of useful information, it is professionally produced, and it is delivered only once a month so it will not overwhelm you. Go to the bottom right of the main page to subscribe.
  5. Finally, JournalStone cares about libraries. They understand that one of the best ways to grow new fans is to have their books in libraries. They offer paperback and hardcover versions of all of their books; this is often an issue with small presses and libraries. Some libraries only buy hardcovers because they stand up to wear better. JournalStone also offers free digital copies with most of their publications too. If your library circulates eReaders with content, you can add these for no extra cost.

Don’t just want to take my word for it? Ok. I have a five book giveaway to offer you today courtesy of JournalStone so you can see for yourself. These are not advance copies. These are brand new, finished books that you can add to your collections right now.


I should rephrase that-- these are titles you should be adding to your collections whether you get them from me for free or not!

The titles included in this giveaway are:
  • Swift to Chase by Laird Barron which I did an entire blog post about last week here.
  • Whistling Past the Graveyard by Jonathan Maberry. This is the first print collection of short fiction by this New York Times Bestselling author.
  • Limbus, Inc. Book III edited by Brett J. Talley [mentioned above] and featuring stories by Jonathan Maberry, Seanan McGuire, Laird Barron, David Liss and Keith R.A. DeCandido. Again many of them authors you know. I reviewed the first book in the Limbus, Inc series here.  The entire series is well written, suspenseful, and fun. 
  • Out of Tune, Book 2 edited by Jonathan Maberry. This again features many best selling authors, including Josh Malerman[!]. Each story uses a classic folk song or murder ballad as its inspiration. Very cool premise and easy to book talk to patrons.
  • Of Saints and Shadows by New York Times bestselling author, Christopher Golden which introduces a promising new series featuring Peter Octavian, vampire, PI. This one will have a wide audience.
For this giveaway I am accepting entries for libraries. Email me with the subject “Horror for Libraries” to zombiegrl75 at gmail dot com by Tuesday 10/18 at 5pm. I need your name and your library’s name in the body of the email. I will only accept entries from the US and Canada and I will only send the books to a library.

I want to help you connect with horror readers, and these brand new books by huge authors will start you down the right path. So please, if you win, add these to your library’s collection, put them out on display and/or book talk them and see for yourself.

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Best Independent Horror Publishers for Libraries (updated 10.16)

There are many specialty, small presses who are dedicated to putting out as many horror publications as they can. As the editors over at Horror Fiction Review once noted, "The horror genre is one of the few genres that even HAS its own small press. Many mass market horror authors were discovered there. I believe the small press is (and actually has been for quite some time) the FUTURE of horror fiction."

I agree and I want to highlight some of the very best of these independent horror publishers. In the past, I have tried to be inclusive and include as many as possible, but I found that this resulted in a list that was too long to be useful to the average American public library as a collection development and purchasing tool. And since that is the whole reason I am here....

I have narrowed the focus of this page to include only the horror independent presses I have found to produce a consistent product worthy of being considered for your public library collections.

So please visit the pages of these publishers and consider ordering some of their books for your patrons.

Here they are in alphabetical order:
If you are a horror publisher and want to be include here, contact me.

Saturday, October 24, 2015

31 Days of Horror: Day 24-- Gods of Lovecraft Brett Talley Interview

Welcome to The Gods of Lovecraft blog-a-thon within a blog-a-thon.  From the first post:
Over 9 of the next 10 days I will be featuring 10 of the 12 authors in this collection. Each has answered a series of questions from me about their God, why they picked it, what their favorite scary books are, and more.  It’s very similar to the posts I have been running by authors all month, just with a Lovercraftian spin. Expect each day’s post to bring you a handful of new authors and titles to add to your arsenal of books you can suggest to patrons. 
Next up, Brett Talley. [Brett has been a guest on the blog before.]

Please remember you can also enter for a chance to win one of two copies of The Gods of H.P. Lovecraft by emailing me at zombiegrl75 [at] gmail [dot] com by 10/29 at 11:59pm.

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Who are you? 
My name is Brett J. Talley, and I’m the author of several horror novels, most of which have Lovecraftian overtones. That’s particularly true of my most successful books, That Which Should Not Be and He Who Walks In Shadow.  

Who is your favorite horror author [besides Lovecraft]? 
Manly Wade Wellman. I often say Wellman is Lovecraft with hope. He takes the same fear of the unknown, of the ancient, of that which was and may be again, but he puts a twist on it where a righteous man or woman just might be able to stand against it. And I love that stuff. It’s the same idea that informs my writing, and I’m so glad to have discovered Wellman in recent years.  

Why do you like to write horror? 
I like the magic that we find in horror.  That probably sounds strange, but we live in a world that has lost much of its mystery, and that mystery has been replaced by the cold, calculated, mathematical precision of science.  But there is still magic in horror.  There is still that sense of the unknown.  Humans are explorers, and horror allows us to explore a world that is often far more interesting than our own.  Plus, there is something comforting about horror.  Terrible things happen in the real world, but the answers are never as simple as they are in the world of fiction.  Things are never as black and white, good and evil is never as clearly defined, and there is no guarantee that the good guys are going to win out in the end.  The monsters that my characters face are truly horrible, but they can be defeated.  That's not always true in the real world.   

Which “God” did you focus on in the Anthology? What features of this god do you find most interesting? 
I wrote my story about Tsathoggua, the sleeping god who most resembles a giant toad. I love this guy for a bunch of reasons. First, he’s not Lovecraft’s invention; he’s Clark Ashton Smith’s. But Lovecraft liked him so much he incorporated him into the mythos. That really speaks to the collaborative nature of Lovecraftian fiction, one that is nearly unique in literature. I also love him because the stories of Tsathoggua are usually a little more lighthearted than Lovecraft’s other gods. I always enjoy injecting some humor into the story, and you can really see it in my contribution to the anthology—The Apotheosis of a Rodeo Clown.  

Please share some of the authors you are reading and enjoying now. 
Two guys, one horror and one not. My favorite living horror writer is Ronald Malfi, and I am currently reading his newest book Little Girls. It will be hard to top the last one I read by him, December Park, but it’s good so far. And I’m reading Haruki Murakami, who is obviously not horror, but his style of writing is both beautiful and captivating in a way that can evoke real emotion. We need more of that in horror.  

What other works do you have out now? 
My big current offering is He Who Walks In Shadow, which is the sequel to the Bram Stoker Nominated That Which Should Not Be. It starts immediately after TWSNB ends, with Henry Armitage and Carter Weston’s daughter, Rachel, seeking to understand his disappearance and find the Incendium Maleficarum. That takes them on an adventure around the world, where they are haunted by demons both spiritual and personal.  

What are you working on currently? 
I’m working on a Lovecraftian book set in modern times that centers around the Sons of Dagon, the biker gang featured in Apotheosis of a Rodeo Clown. Keep your eyes out for it next year, hopefully.  

Friday, October 19, 2012

31 Days of Horror: Day 19-- My 2012 Reading Suggestions as Published in Library Journal

I was very honored to be asked to take over Neal Wyatt's popular Reader's Shelf column in the October 15, 2012 issue of Library Journal.  My piece, entitled, "New Horror for the Haunting Season" highlights some new horror titles that might appeal to nontraditional horror readers who are looking to sample the scary this Halloween.

I will also be featuring guest posts by 3 of the authors included in the column on the blog.  But you will have to keep following 31 Days of Horror to find out who and what they have to say.  One of them has even offered a collection of books for giveaway.  Oooh, the suspense is killing me.

Here is the direct link, but you can also find the entire column posted below.  It's like I wrote a guest post on my own blog.

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Halloween is coming, and so are many readers who do not normally enjoy the horror genre but who want to give it a try. Of course, there are the “old standby” authors like Stephen King, Anne Rice, and Peter Straub and new best sellers like Joe Hill and Jonathan Maberry. But if you are only relying on these writers to help your once-a-year horror readers, you may be missing a better match for their specific tastes. Consider these six 2012 titles that illustrate how easily horror can cross over into other popular genres.
talley New Horror for Haunting Season | The Readers Shelf | October 15, 2012Brett J. Talley’s The Void (JournalStone. 2012. ISBN 9781936564439. pap. $16.95) harkens back to the sf-tinged horror of H.P. Lovecraft. Enter a world where people easily travel through space while sleeping. There is a catch: travelers are held hostage to their nightmares while in flight. When six travelers encounter an abandoned aircraft, bad things begin to happen, but is it a dream, paranoia, or a monster? Talley creates a creeping sense of unease from the start, an anxiety that continuously builds, leaving readers to look over their shoulders while frantically turning the pages to the end.
For literary horror, Victor LaValle’s The Devil in Silver(Spiegel & Grau. 2012. ISBN 9781400069866. $27) might be described as Ken Kesey’s One Flew Over the Cuckoo’s Nest meets Frank Peretti’s Monster. Unjustly committed to a mental hospital, Pepper quickly realizes that not only are the inmates more sane than the staff but that an animal-headed monster is killing the patients at night. Character is king here as the action comes in quick spurts between Pepper’s interactions with others and his internal struggles. This novel is terrifying, but it also asks you to ponder larger societal questions of race, class, and madness; just keep the lights on while thinking about it all.
lambertson New Horror for Haunting Season | The Readers Shelf | October 15, 2012What about mystery lovers? Steer them directly to Gregory Lamberson and his “Jake Helman Files” series about a New York City police officer–turned–PI specializing in supernatural crimes. These are gory and horrific novels, but they are also imaginative and original, with a strong investigative story line. InTortured Spirits (Medallion. 2012. ISBN 9781605424064. pap. $14.95), Jake’s quest to save a colleague who has been turned into a raven by a witch doctor leads him south, where he uncovers an army of zombie slaves harvesting drugs for evil mastermind Malvado.
Speaking of zombies, readers remain hungry for the shambling undead. Joe McKinney has successfully parlayed his experience as a police detective and disaster migration specialist into his terrifyingly realistic and award-winning zombie plague novels. InMutated (Pinnacle: Kensington. 2012. ISBN 9780786029297. pap. $7.99), Ben has survived in a zombie-infected world by staying alert and avoiding trouble. When a nasty leader begins to gather the living, Ben decides to trade his solitude for refuge on an abandoned farm. Things are tough, but manageable, until Ben notices that the zombies are getting smarter and faster. How can this be? McKinney fills his thriller with realistic details of how the plague spreads, convincing dialog, superior characterization, and, of course, awesome zombie battle scenes.
lindqvist New Horror for Haunting Season | The Readers Shelf | October 15, 2012Almost as popular as zombies these days are novels by Nordic authors. Not to be left out is John Ajvide Lindqvist, also known as Sweden’s Stephen King.Little Star (Thomas Dunne: St. Martin’s. 2012. ISBN 9780312620516. $27.99) begins with a family raising a young girl they found abandoned in the woods, until horrible circumstances lead her brother to take her to Stockholm. After he enters her in a TV show similar toAmerican Idol and another young girl sees her performance, a frighteningly evil team is born. As in his previous novels (Let the Right One In), Lindqvist uses compelling YA characters to portray the horrors that lurk in the shadows of the everyday world. It is scarier because it seems so normal.
Finally, for nonfiction fans, Lisa Morton’s Trick or Treat: A History of Halloween (Reaktion, dist. by Univ. of Chicago. 2012. ISBN 9781780230474. $29) covers the history of Halloween from its ancient Celtic roots to its stunning growth in global popularity in the 21st century. Morton is an accomplished horror short story writer, and her ability to draw readers in quickly and keep them turning the pages shines through in her nonfiction as well. Lavishly illustrated, this solidly researched and concise work is fun to read and a great choice for readers who want to know why we seek out the scary each October.

Saturday, February 18, 2012

Bram Stoker Finalists

Hot off the presses. Congrats to all the nominees.  I am especially happy to see many of the authors I championed in the new book showing up here.  Also, remember that this is a great list for collection development at your library.  This is the consensus list of the best of the best in horror from 2011.  You should at least consider carrying these titles if you have horror readers.

So thanks to my membership in the HWA, here is the official press release:


Contact Lisa Morton, HWA Bram Stoker Awards Event Organizer
lisa@lisamorton.com

Horror Writers Association announces
2011 Bram Stoker Award™ Nominees

Each year, the Horror Writers Association presents the Bram Stoker
Awards™ for Superior Achievement in the field of horror writing, named in
honor of Bram Stoker, author of the seminal horror work Dracula. Since
1987, the approximately 700 members of the HWA have recommended, nominated
and voted on the greatest works of horror and dark fantasy of the previous
calendar year, making the Bram Stoker Awards the most prestigious award in
the field of horror literature. For the first time in 2011, half the
nominees were chosen by juries.

The awards are presented in eleven categories: Novel, First Novel, Young
Adult Novel, Graphic Novel, Long Fiction, Short Fiction, Screenplay,
Fiction Collection, Anthology, Non-fiction, and Poetry Collection. The
organization's Active and Lifetime members will select the winners from
this list of nominees; and the Awards will be presented at a gala banquet
on Saturday evening, March 31, at the World Horror Convention in Salt Lake
City, Utah.

This year’s nominees in each category are:

SUPERIOR ACHIEVEMENT IN A NOVEL

A Matrix Of Angels by Christopher Conlon (Creative Guy Publishing)
Cosmic Forces by Greg Lamberson (Medallion Press)
Floating Staircase by Ronald Malfi (Medallion Press / Thunderstorm Books)
Flesh Eaters by Joe McKinney (Pinnacle Books)
Not Fade Away by Gene O’Neill (Bad Moon Books)
The German by Lee Thomas (Lethe Press)

SUPERIOR ACHIEVEMENT IN A FIRST NOVEL

Isis Unbound by Allyson Bird (Dark Regions Press)
Southern Gods by John Hornor Jacobs (Night Shade Books)
The Lamplighters by Frazer Lee (Samhain Horror)
The Panama Laugh by Thomas Roche (Night Shade Books)
That Which Should Not Be by Brett J. Talley (JournalStone)

SUPERIOR ACHIEVEMENT IN A YOUNG ADULT NOVEL

Ghosts of Coronado Bay, A Maya Blair Mystery by J. G. Faherty
(JournalStone)
The Screaming Season by Nancy Holder (Razorbill)
Rotters by Daniel Kraus (Delacorte Books for Young Readers)
Dust and Decay by Jonathan Maberry (Simon & Schuster Books for Young
Readers)
A Monster Calls by Patrick Ness (Candlewick / Walker)
This Dark Endeavor: The Apprenticeship of Victor
Frankenstein by Kenneth Oppel (Simon & Schuster / David Fickling Books)

SUPERIOR ACHIEVEMENT IN A GRAPHIC NOVEL

Anya’s Ghost by Vera Brosgol (First Second)
Locke & Key Volume 4 by Joe Hill (IDW Publishing)
Green River Killer by Jeff Jensen (Dark Horse)
Marvel Universe vs. Wolverine by Jonathan Maberry (Marvel)
Baltimore Volume I: The Plague Ships by Mike Mignola and Christopher Golden
(Dark Horse)
Neonomicon by Alan Moore (Avatar Press)

SUPERIOR ACHIEVEMENT IN LONG FICTION

7 Brains by Michael Louis Calvillo (Burning Effigy Press)
“Roots and All” by Brian Hodge (A Book of Horrors)
“The Colliers’ Venus (1893)” by Caitlin R. Kiernan (Naked City: New
Tales of Urban Fantasy)
Ursa Major by John R. Little (Bad Moon Books)
Rusting Chickens by Gene O’Neill (Dark Regions Press)
“The Ballad of Ballard and Sandrine” by Peter Straub (Conjunctions: 56)

SUPERIOR ACHIEVEMENT IN SHORT FICTION

“Her Husband’s Hands” by Adam-Troy Castro (Lightspeed Magazine,
October 2011)
“Herman Wouk Is Still Alive” by Stephen King (The Atlantic Magazine,
May
2011)
“Graffiti Sonata” by Gene O’Neill (Dark Discoveries #18)
“X is for Xyx” by John Palisano (M is for Monster)
“Home” by George Saunders (The New Yorker Magazine, June 13, 2011)
“All You Can Do Is Breathe” by Kaaron Warren (Blood and Other Cravings)

SUPERIOR ACHIEVEMENT IN A SCREENPLAY

True Blood, episode #44: “Spellbound” by Alan Ball (HBO)
The Walking Dead, episode #13: “Pretty Much Dead Already” by Scott M.
Gimple (AMC)
The Walking Dead, episode #9: “Save the Last One” by Scott M. Gimple
(AMC)
Priest by Cory Goodman (Screen Gems)
The Adjustment Bureau by George Nolfi (Universal Pictures)
American Horror Story, episode #12: “Afterbirth” by Jessica Sharzer
(20th Century Fox Television)


SUPERIOR ACHIEVEMENT IN A FICTION COLLECTION

Voices: Tales of Horror by Lawrence C. Connolly (Fantasist Enterprises)
Red Gloves by Christopher Fowler (PS Publishing)
Two Worlds and In Between: The Best of Caitlin R. Kiernan (Volume One) by
Caitlin R. Kiernan (Subterranean)
Monsters of L.A. by Lisa Morton (Bad Moon Books)
The Corn Maiden and Other Nightmares by Joyce Carol Oates (Mysterious
Press)
Multiplex Fandango by Weston Ochse (Dark Regions Press)

SUPERIOR ACHIEVEMENT IN AN ANTHOLOGY (EDITING)

NEHW Presents: Epitaphs edited by Tracy L. Carbone (NEHW)
Ghosts By Gaslight edited by Jack Dann and Nick Gevers (Harper Voyager)
Blood And Other Cravings edited by Ellen Datlow (Tor Books)
Supernatural Noir edited by Ellen Datlow (Dark Horse)
Tattered Souls 2 edited by Frank J. Hutton (Cutting Block Press)
Demons: Encounters with the Devil and his Minions, Fallen
Angels and the Possessed edited by John Skipp (Black Dog and Leventhal)

SUPERIOR ACHIEVEMENT IN NON-FICTION

Halloween Nation: Behind the Scenes of America’s
Fright Night by Lesley Pratt Bannatyne (Pelican Publishing)
Reflections in a Glass Darkly: Essays on J. Sheridan Le Fanu edited by Gary
William Crawford, Jim Rockhill and Brian J. Showers (Hippocampus Press)
Starve Better by Nick Mamatas (Apex Publications)
Everything You Ever Wanted to Know About Zombies by Matt Mogk (Gallery
Books)
The Gothic Imagination by John C. Tibbetts (Palgrave Macmillan)
Stephen King: A Literary Companion by Rocky Wood (McFarland & Company,
Inc., Publishers)

SUPERIOR ACHIEVEMENT IN A POETRY COLLECTION

How to Recognize a Demon Has Become Your Friend by Linda Addison (Necon
Ebooks)
At Louche Ends: Poetry for the Decadent, the Damned & the
Absinthe-Minded by Maria Alexander (Burning Effigy Press)
Surrealities by Bruce Boston (Dark Regions Press)
Shroud of Night by G. O. Clark (Dark Regions Press)
The Mad Hattery by Marge Simon (Elektrik Milk Bath Press)
Unearthly Delights by Marge Simon (Sam's Dot)


###


More information on the Horror Writers Association is at www.horror.org.
More information on the 25th Anniversary presentation of the Bram Stoker
Awards is at http://www.stokers2012.org

Wednesday, October 10, 2012

31 Days of Horror-- Day 10: My Love of Horror: A Guest Post by Author Jeffrey Wilson

Today's guest post comes from horror author Jeffrey Wilson:
Jeffrey Wilson has worked as an actor, a firefighter, a paramedic, a jet pilot, a diving instructor, a Naval Officer, and a Vascular and Trauma Surgeon. He also served two tours in Iraq as a combat surgeon with both the Marines and with a Joint Special Operations Task Force. In addition to his debut novel, The Traiteur’s Ring, which was released in 2011, Wilson has written dozens of short stories, including “Calling Home,” which was published in BuzzyMag and “The Writer,” which was included in the Warped Words 2011:  90 Minutes to Live anthology. Jeffrey and his wife, Wendy, are Virginia natives who, with children Emma, Jack, and Connor, call Southwest Florida home.
Wilson's latest novel, The Donors is garnering rave reviews.  You can click here to see for yourself.  In fact, Barnes and Nobel recently agreed to carry the novel in its physical stores.  This is big news for small press, paperback horror in general as well as a huge endorsement of Wilson's novel.  We will hear more from Wilson's publisher, Journal Stone a bit later in the month.  But for now, Wilson shared the attached guest post where he writes about why he loves horror as a writer and a reader.

I will be back tomorrow with my review of The Donors.

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My Love of Horror By Jeffrey Wilson Author of THE DONORS And THE TRAITEUR’S RING

Write what you know and love, or so the saying goes. As a reader, I grew up with a love of great horror stories and that most assuredly affected who I became as a writer. I devoured books by King, and Koontz, and Straub. As a kid, I scared myself to death reading Edgar Allan Poe by flashlight when I was supposed to be sleeping. More recently I am a fan of Joe Hill and Benjamin Kane Ethridge, of Brett J. Talley and Joe Nassise. I have read other genres and still do-- I like science and politically based thrillers-- but my real love is horror, especially supernatural horror (I am not a fan of slasher type horror) or chilling psychological thriller type Horror.

Like most Horror readers, I enjoy the thrill ride of a chilling tale. I genuinely love the adrenaline rush of being scared. Horror stories are like a rollercoaster ride and to an extent, horror readers are thrill seekers. You know that nothing bad will actually happen to you on that rollercoaster, but man, the terror of the two hundred foot drop is still a rush. Also like a great roller coaster, a great horror story will hurl you screaming down that drop, and then take you through some gentle turns and climb you back up the next hill, letting you recover a bit before hurling you down again. So, most definitely I enjoy the scare, but it is way more than that for me. I believe that Horror stories allow readers to experience characters’ lives in a way that no other genre really can. And it is the character driven stories that I am drawn to. My list of authors probably makes that pretty clear.

What I want in my fiction is a story that brings the characters alive in ways that make them so real that I feel at the end as if I have known them my whole life. Stephen King’s incredible imagination and the amazing situations he writes about make his stories good, but it is his character development that makes them great. I have often joked to friends that King could write a five hundred page book about a guy reading the phone book, and I would probably enjoy it, because only King and a handful of others could make that yellow page skimming dude so real that he might be sitting next to me. I want that same character rather than plot driven style in my other fiction genres, too, but it seems easier to achieve in Horror. Why is that?

We see the most in real people when they are at their most vulnerable, I think. I have had enough life experience to know that to be true. The macho guy at the gym reveals less about himself doing another set of curls then he does when gun fire at the grocery store leads him to trample over a little old lady on his way out the door, screaming like a little girl. The quiet girl from the library, steps in front of the escaped tiger and is mauled to death, because she couldn’t help butsave the four year old frozen in fear in the animal’s path. You see what I mean? Extreme situations reveal things about people that they probably don’t even know about themselves. Horror stories, whether supernatural like King or based on the horrifying side of man like Richard Godwin and Thomas Harris, put ordinary people in extraordinary situations and let us see the core of those people and their relationships. It is revealed in their actions, their dialogue, and their inner narrative and it shows who they are and who they become as they respond to the situations the writer puts them in. Read the older, original Robert Ludlum books and you see the same thing. Ludlum was a master at writing ordinary people into his thrillers and would surprise both the character and the reader in the way those people, driven by survival instinct, find abilities in themselves that allow them to overcome. So it is enjoyable to see this inner core of the characters revealed in other genres, but in horror, and most especially horror with supernatural elements, it is important for another reason.

In Bag of Bones, King showed us a character we liked and then showed us his very soul in the grief after the loss of his wife. We know how much he loved her and we felt his loss deeply, because King made him so real. Then he introduces uncomfortable questions about secrets she may have had, and we again feel the fear and pain right along King’s protagonist as he re-evaluates their love, their marriage, and his life with her. And so he becomes more real still. Now that the character is at least as real as the guy who sits beside us at work, King takes us on a terrifying journey with him, introducing horror elements of ghosts and unresolved murders, all the while building the human side of his character as we learn more about him and his dead wife and as he finds new enemies and allies they add another layer to the story. We can’t help but believe in the horror elements, because we already believe so much in the characters. The realism of the characters and the story makes the horror elements intensely more frightening-- after all, it is happening now to people we know!

If a horror story jumps right in from page one with some way out premise of lizard-like creatures who exist in two parallel worlds, but in our world they use healthcare workers by controlling their desires so they will harvest organs from living donors, literally torturing them to death so the lizard men can feed on the fear and pain-- well, that plot seems so beyond reality that most readers will have a hard time diving in with fully opened minds. But if the book starts with compelling characters who over the first few chapters become very real, and more importantly are characters the reader is drawn to empathetically (which makes them still more real), then when the supernatural part of the tale evolves the reader accepts the fantastic elements much more readily. Make the main character a bright and loving five year old, recovering from injuries that pull at your heartstrings. Make him brave and wise beyond his years and give him a child-like innocence that we all see in our own kids, but with the brave heart of the righteous people we want our kids to become. Dare the reader not to love that little kid. Now he is real. And if the characters have come to life, then the things that happen to them, no matter how out there, must be real-- because the little boy the writer made us fall in love with is by now very real, after all. Now we not only accept the crazy lizard-men story, because to not do so means we can no longer believe in the little boy, but we have a real emotional response to them-- not just for the strange and terrifying things they are doing, but because they are scaring the little boy we now care about so much. We hate those damn lizard men, and we want our little hero to be safe.

As a reader, that is what I love about horror. I love the way those stories can make the characters so real and emotional for us. As a writer, I find bringing the characters to life the biggest challenge, but once you do, it makes selling your crazy imagination, your stories of demons and supernatural powers, of ghosts and evil forces, so much easier to sell to your reader. I love writing horror, because once you build those characters you can unleash your imagination without limits. The mystery writer has to make the story and the plot believable. I have only to make my characters come alive and I can write the most unbelievable plots with authority and realism. It allows me to unchain myself from convention and history and reality and I become limited only by my ability to push my imagination to new limits.

So, as a writer, I find a real freedom in horror fiction. I have tried my hand before at more traditional genres, but there is always this nagging little voice in my head whispering questions like “That’s cool, but what if the hero is already dead, but just doesn’t know it?” or “wouldn’t it be cool if that Navy SEAL could actually kill with a single thought or heal his team mates with just a touch? How neat would that be?” Those whispers unleash my imagination and allow me to create things that are new and fresh—and, to me at least, way more exciting. They let me build worlds that challenge my characters in terrifying ways and my reader’s ability to hear those whispers with me.

And of course, if I do my job well, it gives us all one hell of a thrilling ride.

Sunday, October 13, 2013

31 Days of Horror: Day 13-- Review and Give-Away: Limbus, Inc

Time for a break in the guest posts for me to have 4 days of reviews on some horror books I think are worth your time.  I have a new book, an easily available backlist title, a graphic novel series and one old, out-of-print gem suggested to me by another, non-horror author all coming in that order.

So with that, let's begin with a promising new title in a shared world series by one of my favorite horror publishers (JournalStone), Limbus, Inc.  The set-up here is awesome.  From the publisher:
Are you laid off, downsized, undersized?
Call us. We employ. 1-800-555-0606
How lucky do you feel?
So reads the business card from LIMBUS, INC., a shadowy employment agency that operates at the edge of the normal world. LIMBUS's employees are just as suspicious and ephemeral as the motives of the company, if indeed it could be called a company in the ordinary sense of the word.
In this shared-world anthology, five heavy hitters from the dark worlds of horror, fantasy, and scifi pool their warped takes on the shadow organization that offers employment of the most unusual kind to those on the fringes of society.
One thing’s for sure – you’ll never think the same way again about the fine print on your next employment application!
Who are those five heavy hitters? Well three of them are HUGE; authors whose novels you should already have on your library shelves-- Jonathan Maberry, Benjamin Kane Ethridge and Brett J Talley [links to their mentions on this blog including reviews and guest posts].  The other two, I am less familiar with-- Joseph Nassise and Anne C. Petty who also edited the volume [links to Goodreads].

Think The Twilight Zone only with today's sensibilities.  The five tales here are more novellas than short stories.  They have meat on their own, but in the shared world, they take on even more depth. To add to the cohesion, their is a prologue and an epilogue tying it all together.

Each novella could be its own story, but it is the shared world idea that will draw you in or not.  Limbus is a shadowy company.  They look for people down on their luck and match them to the perfect job for them.  These jobs are unique and can entail you traveling all over the globe, even through time and space, and their is no guarantee that you will make it through alive or if you live that you will ever be employed by them again.  There is some seriously deadly fine print here.

I don't want to give away the plots of each tale at all because I really did enjoy each story for different reasons.  If I had to pick a favorite, I would go with Maberry's "Strip Search," but that is because I love the way he writes. Although Ethridge's laid off Salughterhouse worker led tale is pretty darn awesome.

Although this collection is a true sf/fantasy/horror hybrid, the horror elements shine the brightest.  An uneasy atmosphere abounds here and there are some gory scenes. Limbus, Inc. is a must read for fans of today's horror filled with high tension, and some, but not gratuitous, blood and guts.

Since we are dealing with novellas, the writing is tight.  This is not a book that will waste your time.  It flies by but without sacrificing the chills or the character development. And the shared world is very believable, allowing the entire collection to have a feel of one complete novel.

If you are looking for a fast, satisfying read that seamlessly blends the best of old horror with what is so exciting about today's crop of talented scare-meisters, grab a copy of Limbus, Inc. I was happy to see that this book is getting universal praise from readers, especially those who don't normally read horror or story collections.

JournalStone is promising more Limbus tales to come.  I hope so.

GIVEAWAY ALERT: I have an ARC from the publisher, featuring the limited edition cover art [pictured below] to give away.  Email me at zombiegrl75[at]gmail[dot]com to enter.  I will take entries through Noon on 10/18 to select a random winner.  No need to send me mailing info at this time.
This is the ARC cover
Three Words That Describe This Book: shared world anthology, original, high tension

Readalikes: If you really like one of the pieces, run out and read more by that author. I included links to more of their works up near the top of this review.

I recently finished volumes 1 and 2 of the sf/fsy graphic novel Saga by Brian K. Vaughan and Fiona Staples.  In that series, there is an agency that is very similar to Limbus that sends out agents to do dangerous, inter-planetary jobs. 

If you want to read more recent story releases, I have also ordered Four Summoner's Tales for the BPL which while not a shared world, is similar.  Here is the set up:
Four bestselling authors. One hellraising premise.
What if the dead could be summoned from their graves—for a price? What if a quartet of distinctive storytellers took a stab at this deceptively simple idea—on a dare? The answers lie here, in Four Summoner’s Tales, as these acclaimed writers accept the challenge and rise to the occasion—in four brilliantly chilling ways. It’s all in the execution. . .
Here the authors are Kelley Armstrong, David Liss, Christopher Golden and Jonathan Maberry.  I have not read it yet (it is checked out at my library), but I am hearing people say they like it.

Again, I think with both Four Summoner's Tales and Limbus, Inc. the biggest appeal factors are if you are a fan of one of these authors and/or the shared story ideas.  So, for more readalike suggestions, start with a full novel by your favorite author from the collection and move out from there.

Back tomorrow with a YA backlist title to review.

Thursday, February 21, 2013

Horror Readers' Advisory Book Update: Authors

When I first started this blog, I promised to use it as an update to my print book, and while everything I post technically adds to the value of the book, today's post is an actual update to the authors listed in Chapter 3: Horror 101: A Crash Course in Today's Tales of Terror.

In that chapter I break up today's need to know authors into a few categories. One of those categories is "Pulps Kings." These are horror authors publishing original paperback fiction whose books I feel every library with a known horror readership should own. In other words, these should be your go-to pulp horror authors.

The book lists: Brian Keene, Nate Kenyon, John Everson, Gary Braunbeck, Robert Dunbar, and Jeff Strand.  To this list I am updating with the following authors and descriptions.


J. G. Faherty writes character driven horror which often has an ancient evil setting and incorporates teenaged protagonists.  He often uses a mix of supernatural occurrences and beings to ratchet up the fear and his use of gore is moderate.  Of the better known authors, I would compare him to Peter Straub. Try Cemetery Club which  begins with 4 friends awakening an ancient evil that they contain but don’t defeat and then flashes forward 20 years when the friends need to reunite for a final showdown.

Gregory Lamberson walks the line between horror and not quite horror, but there is no denying his popularity with horror fan because his Jake Helman Files series is scary as heck. Jake resigns from the NYC police force and becomes a private detective specializing, by accident, in supernatural crimes.  These are gory and terrifying novels, but reviewers are constantly commenting on how imaginative and original the stories feel.  More horror than Huston’s Joe Pitt series, but still with a strong investigative element, Lamberson is an author to keep an eye on. Try the first book in the series, Personal Demons

Law enforcement officer Joe McKinney knows a thing or two about catching bad guys, but in his terrifying Dead World series, he imagines an evil much worse than a mere human criminal.  After five hurricanes in a row slam into the Texas Gulf coast, “from the rubble, a virus has been born that is reanimating the dead--thousands of them at a time!  Quickly, the virus spreads across the entire state of Texas, as hordes of hungry zombies begin taking over.  This is a terrifying and action packed series with a realistic premise.” The first book is Dead City.

Finally, I would like to add a list of newer authors, all who have been mentioned on RA for All: Horror previously, who are making enough of an impact that you should be on the look out for new titles by them. All links go to areas on this blog where the author was discussed and/or his book reviewed.
Now that my book is a year old, look for more frequent official updates to the print here on the blog.

Tuesday, January 24, 2012

Bram Stoker Preliminary Ballot Announced

Here is the link.  Details below.

For each category (Novel, First Novel, etc) there are potentially TWO ballots: one for the works that proceed from the recommendations (‘Recs’) ballot and one for the works that proceed from the Jury ballot.
A short explanation of the system for determining for the Bram Stoker Awards™ ballots appears at: http://www.horror.org/stokers.htm. As the preliminary ballot is designed to produce three works for the final ballot in a category from each of the “Recs” and “Jury” ballots, if there are three or less works qualified in a category, they proceed directly to the final ballot.
If you see four, five or six works in a “Rec” or “Jury” ballot below, that ballot will proceed to be voted on by Active and Lifetime Members and they are marked ‘Ballot Required’.

NOVEL:

    RECS:

    Ballot Required
    • Lamberson, Greg — Cosmic Forces
    • Longfellow, Ki — Houdini Heart
    • Malfi, Ronald — Floating Staircase
    • O’Neill, Gene — Not Fade Away
    • Warner, Matthew — Blood Born

    JURY:

    Ballot Required
    • Conlon, Christopher — A Matrix Of Angels
    • Dunbar, Robert — Willy
    • McKinney, Joe — Flesh Eaters
    • Oliver, Reggie — The Dracula Papers, Book 1: The Scholar’s Tale
    • Thomas, Lee — The German

FIRST NOVEL:

    RECS:

    Ballot Required
    • Bird, Allyson — Isis Unbound
    • Lee, Frazer — The Lamplighters
    • Reynolds, Graeme — High Moor
    • Talley, Brett J. — That Which Should Not Be
    • Wagner, Jeremy — The Armageddon Chord

    JURY:

    No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
    • Jacobs, John, Horner — Southern Gods
    • Roche, Thomas — The Panama Laugh

YA NOVEL:

    RECS:

    Ballot Required
    • Faherty, J. G. — Ghosts of Coronado Bay, A Maya Blair Mystery
    • Holder, Nancy — The Screaming Season
    • Maberry, Jonathan — Dust & Decay
    • Matthews, Araminta Star — Blind Hunger

    JURY:

    Ballot Required
    • Blake, Kendare — Anna Dressed in Blood
    • Kraus, Daniel — Rotters
    • Ness, Patrick — A Monster Calls
    • Oppel, Kenneth — This Dark Endeavor: The Apprenticeship of Victor Frankenstein
    • Roth, Veronica — Divergent

GRAPHIC NOVEL:

    RECS:

    Ballot Required
    • Hill, Joe — Locke & Key, Volume 4
    • Maberry, Jonathan — Marvel Universe vs. The Punisher
    • Maberry, Jonathan — Marvel Universe vs. Wolverine
    • Mignola, Mike and Golden, Christopher — The Plague Ships
    • O’Reilly, Sean; Nassise, Joe; Weick, Halston — Candice Crow

    JURY:

    Ballot Required
    • Brosgol, Vera — Anya’s Ghost
    • Fialkov, Joshua Hale — Echoes
    • Jensen, Jeff — Green River Killer
    • Moore, Alan — Neonomicon
    • Smith, John — Cradlegrave

LONG FICTION:

    RECS:

    Ballot Required
    • Breaux, Kevin James — Dark Water: Beaming Smile
    • Calvillo, Michael Louis — 7Brains
    • Little, John R. — Ursa Major
    • O’Neill, Gene — Rusting Chickens
    • Schwamberger, Ty — The Fields

    JURY:

    Ballot Required
    • Hodge, Brian — Roots and All
    • Kiernan, Caitlin — The Colliers’ Venus (1893)
    • Lindqvist, John Ajvide — The Music of Bengt Karlsson, Murderer
    • Shearman, Robert — Alice Through A Plastic Sheet
    • Straub, Peter — The Ballad of Ballard and Sandrine

SHORT FICTION:

    RECS:

    Ballot Required
    • Bailey, Michael — “It Tears Away” (The Shadow of the Unknown)
    • Lillie-Paetz, Ken — “Hypergraphia” (The Uninvited, Issue 1)
    • O’Neill, Gene — “Graffiti Sonata” (Dark Discoveries)
    • Palisano, John — “X is for Xyx” (M is for Monster)
    • Warren, Kaaron — “All You Can Do Is Breathe” (Blood and Other Cravings)

    JURY:

    Ballot Required
    • Ausubel, Ramona — “Atria” (The New Yorker Magazine, April 4, 2011)
    • Ballingrud, Nathan — “Sunbleached” (Teeth: Vampire Tales)
    • Castro, Adam Troy — “Her Husband’s Hands” (Lightspeed Magazine)
    • King, Stephen — “Herman Wouk Is Still Alive” (The Atlantic Magazine, May 2011)
    • Saunders, George — “Home” (The New Yorker Magazine, June 13, 2011)

SCREENPLAY:

    RECS:

    No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
    • Ball, Alan — True Blood: Spellbound (Episode #44)
    • Goodman, Cory — Priest
    • Nolfi, George — The Adjustment Bureau

    JURY:

    Ballot Required
    • Gimple, Scott M. — The Walking Dead, episode 13: “Pretty Much Dead Already”
    • Gimple, Scott M. — The Walking Dead, episode 9: “Save the Last One”
    • Noxon, Marti — Fright Night
    • Ovrehahl, Andre and Havard S. Johansen — Troll Hunter
    • Sharzer, Jessica — American Horror Story, episode 12: “Afterbirth”

ANTHOLOGY:

    RECS:

    No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
    • Carbone, Tracy L. — NEHW Presents: Epitaphs
    • Hutton, Frank J. — Tattered Souls 2
    • Skipp, John — Demons: Encounters with the Devil and His Minions, Fallen Angels, and the Possessed

    JURY:

    Ballot Required
    • Dann, Jack and Nick Gevers — Ghosts By Gaslight
    • Datlow, Ellen — Blood And Other Cravings
    • Datlow, Ellen — Supernatural Noir
    • Datlow, Ellen and Terri Windling — Teeth
    • VanderMeer, Jeff and Ann — The Thackery T. Lambshead Cabinet of Curiosities

COLLECTION:

    RECS:

    Ballot Required
    • Burke, Chesya — Let’s Play White
    • Connolly, Lawrence C. — Voices: Tales of Horror
    • Gresh, Lois — Eldritch Evolutions
    • Haines, Paul — The Last Days of Kali Yuga
    • Morton, Lisa — Monsters of L.A.
    • Ochse, Weston — Multiplex Fandango

    JURY:

    Ballot Required
    • Fowler, Christopher — Red Gloves: The London Horrors
    • Kiernan, Caitlin R. — Two Worlds and In-Between
    • Llewellyn, Livia — Engines of Desire
    • Oates, Joyce Carol — The Corn Maiden and Other Nightmares
    • Oliver, Reggie — Mrs. Midnight and Other Stories

NON-FICTION:

    RECS:

    No ballot required, the following works will proceed directly to the Final Ballot. Please note these works may not be described as Nominees until the Final Ballot is formally announced.
    • Bannatyne, Lesley Pratt — Halloween Nation: Behind the Scenes of America’s Fright Night
    • Mamatas, Nick — Starve Better
    • Mogk, Matt — Everything You Ever Wanted to Know About Zombies

    JURY:

    Ballot Required
    • Crawford, Gary William, Jim Rockhill, and Brian J. Showers, Eds. — Reflections in a Glass Darkly
    • Rupe, Shade — Dark Stars Rising
    • Shultz, David E. and S.T. Joshi, Ed. — Letters to James F. Morton
    • Tibbetts, John C. — The Gothic Imagination
    • Wood, Rocky — Stephen King: A Literary Companion

POETRY:

    RECS:

    Ballot Required
    • Alexander, Maria — At Louche Ends: Poetry for the Decadent,the Damned & the Absinthe-Minded
    • Clark, G.O — Shroud of Night
    • Borski, Robert — Blood Wallah and Other Poems
    • Simon, Marge — The Mad Hattery
    • Ward, Kyla Lee — The Land of Bad Dreams

    JURY:

    Ballot Required
    • Addison, Linda — How to Recognize a Demon Has Become Your Friend
    • Boston, Bruce — Surrealities
    • Marshall, Helen — Skeleton Leaves
    • Schwader, Ann K. — Twisted in Dream
    • Simon, Marge — Unearthly Delights

Tuesday, January 8, 2013

2012 Year in Review and 2013 Preview

Later this morning I will be taping an episode of the podcast Circulating Ideas. Steve Thomas, the host has invited me to talk about what happened in horror in 2012 and to preview 2013.

I have written this post as a companion to the interview.

Let's talk about 2012 first.
  • 2012 was a year in which horror broke through to the mainstream.  The Walking Dead was one of the most watched television shows of the year, and it was the best-sellling comic of 2012 too! Horror movies came out all year long to big box office numbers.  But in print, this was a year in which it was easy to find a wide range of horror titles, one for just about every type of reader.  I detailed these in Library Journal back in October, and you can use the link to see more, but from this group there are 2 standouts I want to mention:
    • Brett Talley's The Void.  Talley is a new writer, only on his second book, but he is already a force to be reckoned with.  The Void specifically harkens back to the science fiction tinged horror of H.P. Lovecraft. Enter a world were people can easily travel through space while sleeping. There is a catch however. Travelers are held hostage to their nightmares while in flight; nightmares customized to their own fears; nightmares that have been know to drive people mad. Six travelers, each with a secret encounter an abandoned aircraft, and bad things begin to happen. But is it a dream, their paranoia, or a monster?  Talley creates a creeping sense of unease from the start of The Void, an anxiety that never lets up, continuously builds, and leaves the reader looking over his or her shoulder while frantically turning the pages to find out how it all ends. 
    • The Devil in Silver by Victor LaValle. La Valle's literary horror tale made many of 2012's best lists.  Imagine One Flew Over the Cuckoo’s Nest meets Frank Peretti’s Monster.  Pepper is unjustly committed into a Queens mental hospital. He quickly realizes that not only are the inmates more sane than the staff, but an animal headed monster is stalking and killing the patients at night. Characters are king here as the action comes in quick spurts between Pepper’s interactions with others and his internal struggles. The omniscient narration is also very eerie. It mostly follows Pepper, but it does switch occasionally, including an unsettling turn showing things through the eyes of a rat.  This novel is terrifying, but it also asks you to ponder larger societal questions of race, class, and madness; just keep the lights on while thinking about it all.
  • As with all fiction, the YA audience grew exponentially for horror in 2012.  Many adult authors are writing YA novels, and many of them are quite good.  In fact, after having too many excellent YA novel options, last year, the Bran Stoker Awards officially added a YA category so those books could be honored.  The best of the bunch is Jonathan Maberry's award winning YA Rot and Ruin trilogy, the final book of which, Flesh and Bone came out in 2012.  Here some other 2012 YA titles that are worth a read:
  • Paperback horror came back because independent publishers emerged as its savior.
    • In 2011 things looked bad for horror. Leisure books, one of the biggest publisher of horror paperbacks for the mainstream market went under in late 2010.  Many publishers were switching to all ebooks to try to survive, but horror readers love their paperbacks.  Yes, they read ebooks, but it was not their preferred format. Amazon snapped up the rights to Leisure's back catalog and has started a sf, fantasy and horror imprint (47North), but so far the horror writing community (and with them follow the readers) is not behind this new Amazon venture.  After a few books, I would say only Seed by Ania Ahlborn has looked promising. But it is worth keeping an eye on.  
    • The real reason the paperback horror title returned from the dead in 2012 is because of the diligence of independent publishers.  Leading the pack is JournalStone. I spent a lot of time talking about JournalStone during my 31 Days of Horror feature here, so click through for more details. But if you just want the short version, what JournalStone has done is to go out and find the best horror to publish and then they promote the heck out of it. In 2012 they got multiple titles in the hand of reviewers for BookList, Library Journal, and PW, with the spectacular Brett Talley leading the way in their catalog. And once these reviewers were made aware of the titles, they really liked them.  JournalStone also runs a fiction contest and publishes the winner.  This year's winner, The Devil of Echo Lake, was a fantastic read (my review here) and got picked up in the mainstream review journals where it also received positive reviews. However, they did not only fight for niche popularity or online book store sales.  JournalStone also succeeded in getting some of its paperbacks to be placed on the shelves at Barnes and Nobel's throughout the country. By focusing on the printed book and not ebooks, JournalStone has made a name for themselves in 2012, and this can only help drive more interest in horror.
    • Horror readers like the paperback format. After a premature obituary in 2011, it is back and in 2013, I predict it will continue to rebound and grow.

Now let's look forward to 2013....
  • 2013 has a lot for librarians to look forward to.  First, under the leadership of dark fiction writer J.G. Faherty, the Horror Writers Association has made working with libraries part of their 2013 goals.  They have secured a booth at ALA Midwinter in Seattle and ALA Annual in Chicago. They want to work with us. I foresee an increase in library interest in managing and improving their horror collections. If you are at either conference, stop by the HWA booth.  I will be at the booth in Chicago, but more on that later this year.
  • This increase in interest will also be fueled by the fact that there are some HUGE releases coming in 2013, releases that will have many readers talking about horror.  Here is short preview:
    • Jonathan Maberry has a brand new entry into his New York Times best selling  Joe Ledger horror-esque technothriler series coming in March.
    • Joe Hill has a busy 2013
    • And the most anticipated horror release of 2013, Stephen King's long awaited sequel to The Shining (still the best "start here option for people new to King) is coming out -- Dr. Sleep (9/24/13).  Even people who stopped reading King years ago will be flocking to this one.  Make sure you have enough copies available.  I would also suggest preparing readalike lists and other horror suggestions to help to promote your other horror offerings while people wait for this one. In August I will have multiple posts to help you get ready here on RA for All: Horror.
I am looking forward to a great year for horror in 2013.  Check back here regularly for more horror news, tips, resources, and reviews throughout the year.

Sunday, January 24, 2016

Collection Development Alert: Stoker Preliminary Ballot

Contrary to popular belief, Halloween is NOT the best time to work on your horror collection, rather it is during award season-- just like any genre.  It is frustrating that no one thinks mysteries, science fiction, fantasy, historical fiction, etc... can only be updated, weeded, and assessed during a single month each year. Bur Horror, you all only seriously think about your readers and collections from September 1- November 1.

Now, I know I am being harsh there and that the work I do has done much to change this, but it is kinda true.

I am here to remind you that often, genre awards times are the best times to assess your collections.  As I have outlined in this popular post on RA for All, awards lists, particularly long lists of authors in contention for an award, are an amazing collection development tool. It is the easiest way to identify a core list of exemplary authors in a genre at that time.

Now that is not to say that the authors who appear on awards long lists are the only ones worth your attention.  But, it is a great place to start as you assess the state of your holdings.

Earlier this week, as a member of the Horror Writers Association, I received the preliminary ballot for the 2015 Bram Stoker Awards.  I am posting it here for all of you library workers for the exact reason I stated above, to use as a collection development tool.

As you will see below, many authors and titles I championed over the last few years are represented here. But there are also many who I think are worthy to have in your horror collections right now who are not here [and I have a track record of being right about those authors].

So today, start using this list to assess your current horror collections, and over the next few months, check back here on the blog often as I will be writing more frequently about books and authors you need to keep on your radar.

Again, remember, people read horror all the year through. Don’t let your collections languish until the Fall. Make it your goal to pay attention to all of your genre collections on a more regular basis.

Ok, enough grandstanding, here is the preliminary ballot. Now get to work.

The 2015 Bram Stoker Awards Preliminary Ballot Announced

Ron Breznay and Rena Mason, Co-Chairs, Bram Stoker Awards® Committee

The Horror Writers Association (HWA) is pleased to announce the Preliminary Ballot for the 2015 Bram Stoker Awards (given out in 2016). The HWA (see www.horror.org) is the premiere writers organization in the horror and dark fiction genre. We have presented the Bram Stoker Awards in various categories since 1987 (see www.horror.org/awards/stokers.htm).

The HWA Board and the Bram Stoker Awards Committee congratulate all those appearing on the Preliminary Ballot. Notes about the voting process appear after the ballot listing. The Preliminary Ballot is:

Superior Achievement in a Novel
  • Barker, Clive – The Scarlet Gospels (St. Martin’s Press)
  • Bates, Jeremy – The Catacombs (World’s Scariest Places: Book Two) (Ghillinnein Books)
  • Clines, Peter – The Fold (Crown)
  • Collings, Michaelbrent – The Deep (self-published)
  • Faherty, JG – The Cure (Samhain Publishing)
  • Ferrario, Keith – Monster (Samhain Publishing)
  • Freivald, Patrick – Black Tide (JournalStone Publishing)
  • Johnson, Jeremy Robert – Skullcrack City (Lazy Fascist Press)
  • Klavan, Andrew – Werewolf Cop (Pegasus)
  • Lane, Leigh M. – The Private Sector (Eldritch Press)
  • Talley, Brett J. – He Who Walks in Shadow (JournalStone Publishing)
  • Tremblay, Paul – A Head Full of Ghosts (William Morrow)


Superior Achievement in a First Novel

Alameda, Courtney – Shutter (Feiwel & Friends)
Cushing, Nicole – Mr. Suicide (Word Horde)
Erb, Thom – Heaven, Hell, or Houston: A Zombie Thriller (Severed Press)
Harmon, Kenneth W. – The Amazing Mr. Howard (JournalStone Publishing)
Hawkins, Scott – The Library at Mount Char (Crown)
Herrman, Heather – Consumption (Hydra)
Kirk, Brian – We Are Monsters (Samhain Publishing)
McIlveen, John – Hannahwhere (Crossroad Press)
Romines, Kyle Alexander – The Keeper of the Crows (Sunbury Press, Inc.)
Smith, John Claude – Riding the Centipede (Omnium Gatherum)


Superior Achievement in a Young Adult Novel
  • Brozek, Jennifer – Never Let Me Sleep (Permuted Press)
  • Chupeco, Rin – The Suffering (Sourcebooks Fire)
  • Collings, Michaelbrent – The Ridealong (self-published)
  • Dixon, John – Devil’s Pocket (Simon & Schuster)
  • Hill, Will – Department 19: Darkest Night (HarperCollins Children’s Books)
  • Hurley, Tonya – Hallowed (Simon & Schuster)
  • Johnson, Maureen – The Shadow Cabinet (Penguin)
  • Sattin, Samuel – The Silent End (Ragnarok Publications)
  • Varley, Dax – Bleed (Garden Gate Press)
  • Welke, Ian – End Times at Ridgemont High (Omnium Gatherum)


Superior Achievement in a Graphic Novel
  • Bunn, Cullen – Harrow County, Vol. 1: Countless Haints (Dark Horse Comics)
  • Gischler, Victor – Hellbound (Dark Horse Books)
  • Kipiniak, Chris – Behemoth (Monkeybrain Comics)
  • Kirkman, Robert – Outcast, Vol. 1: A Darkness Surrounds Him (Image Comics)
  • Lucarelli, David – The Children’s Vampire Hunting Brigade, Vol. 2: Age of the Wicked (Creator’s Edge Press)
  • Snyder, Scott – Wytches, Vol. 1 (Image Comics)
  • Tobin, Paul – Colder, Vol. 2: The Bad Seed (Dark Horse Comics)
  • Weller, Sam, Chris Ryall, Carlos Guzman and Mort Castle (editors) – Shadow Show: Stories in Celebration of Ray Bradbury (IDW Publishing)


Superior Achievement in Long Fiction
  • Braunbeck, Gary A. – Paper Cuts (Seize the Night) (Gallery Books)
  • Eads, Ben – Cracked Sky (Omnium Gatherum)
  • Edelman, Scott – Becoming Invisible, Becoming Seen (Dark Discoveries #30)
  • Gunhus, Jeff – The Torment of Rachel Ames (Seven Guns Press)
  • Mannetti, Lisa – The Box Jumper (Smart Rhino Publications)
  • McGuire, Seanan – Resistance (The End Has Come) (Broad Reach Publishing)
  • O’Neill, Gene – At the Lazy K (Written Backwards)
  • Parent, Jason – Dia de los Muertos (Bad Apples 2) (Corpus Press)
  • Partridge, Norman – Special Collections (The Library of the Dead) (Written Backwards)
  • Yardley, Mercedes M. – Little Dead Red (Grimm Mistresses) (Ragnarok Publications)


Superior Achievement in Short Fiction
  • Bailey, Dale – Snow (Nightmare Magazine #33)
  • Boston, Bruce – A Trader on the Border of the Mutant Rain Forest (Daily Science Fiction)
  • Braum, Daniel – An American Ghost in Zurich (Savage Beasts) (Grey Matter Press)
  • Gonzalez, Michael Paul – Choking Hazard (Winter Horror Days) (Omnium Gatherum)
  • Jonez, Kate – All the Day You’ll Have Good Luck (Black Static #47)
  • Manzetti, Alessandro – The Massacre of the Mermaids (The Massacre of the Mermaids) (Kipple Officina Libraria)
  • O’Neill, Gene – The Algernon Effect (White Noise Press)
  • Palisano, John – Happy Joe’s Rest Stop (18 Wheels of Horror) (Big Time Books)
  • Southard, Nate – The Cork Won’t Stay (Nightmare Magazine #34)
  • Walters, Damien Angelica – Sing Me Your Scars (Sing Me Your Scars) (Apex Publications)
  • Wong, Alyssa – Hungry Daughters of Starving Mothers (Nightmare Magazine #37)


Superior Achievement in a Screenplay
  • Benson, Justin – Spring (XYZ Films)
  • del Toro, Guillermo, & Matthew Robbins – Crimson Peak (Legendary Pictures)
  • Franz, Veronika, and Severin Fiala – Goodnight, Mommy (Ulrich Seidl Film Produktion)
  • Fuller, Bryan, Steve Lightfoot & Nick Antosca – Hannibal: The Wrath of the Lamb (Dino De Laurentiis Company)
  • Gimple, Scott M. – The Walking Dead: Here’s Not Here (AMC)
  • Logan, John – Penny Dreadful: And Hell Itself My Only Foe (Showtime)
  • Logan, John – Penny Dreadful: Nightcomers (Showtime)
  • Mitchell, David Robert – It Follows (Northern Lights Films)
  • Waititi, Taika & Jemaine Clement – What We Do in the Shadows (Unison Films)
  • Zahler, S. Craig – Bone Tomahawk (Caliber Media Company)


Superior Achievement in an Anthology
  • Bailey, Michael – The Library of the Dead (Written Backwards)
  • Datlow, Ellen – The Doll Collection: Seventeen Brand-New Tales of Dolls (Tor Books)
  • Delany, Shannon, and Judith Graves – Beware the Little White Rabbit (Leap Books, LLC)
  • Golden, Christopher – Seize the Night (Gallery Books)
  • Jones, Stephen – Horrorology (Quercus Publishing)
  • Kilpatrick, Nancy, and Caro Soles – nEvermore! (Edge Science Fiction and Fantasy Publishing)
  • Maberry, Jonathan – X-Files: Trust No One (IDW Publishing)
  • Miller, Eric – 18 Wheels of Horror (Big Time Books)
  • Murano, Doug, and D. Alexander Ward – Shadows Over Main Street (Hazardous Press)
  • Nassise, Joseph, and Del Howison – Midian Unmade (Tor Books)
  • Rector, Jeani – Shrieks and Shivers from the Horror Zine (Post Mortem Press)
  • Thomas, Richard – Exigencies (Dark House Press)


Superior Achievement in a Fiction Collection
  • Braunbeck, Gary – Halfway Down the Stairs (JournalStone Publishing)
  • Brozek, Jennifer – Apocalypse Girl Dreaming (Evil Girlfriend Media)
  • Cummings, Shane Jiraiya – The Abandonment of Grace and Everything After (Brimstone Press)
  • Cushing, Nicole – The Mirrors (Cycatrix Press)
  • Everson, John – Sacrificing Virgins (Samhain Publishing)
  • Grant, Taylor – The Dark at the End of the Tunnel (Crystal Lake Publishing)
  • Litherland, Neal F. – New Avalon: Love and Loss in the City of Steam (James Ward Kirk Publishing)
  • O’Neill, Gene – The Hitchhiking Effect (Dark Renaissance Books)
  • Snyder, Lucy A. – While the Black Stars Burn (Raw Dog Screaming Press)
  • Warner, Matthew – Dominoes in Time (Cemetery Dance Publications)


Superior Achievement in Non-Fiction
  • Everett, Justin, and Jeffrey H. Shanks (ed.) – The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror (Rowman & Littlefield Publishers)
  • Hutchinson, Sharla, and Rebecca A. Brown (ed.) – Monsters and Monstrosity from the Fin de Siècle to the Millennium (McFarland and Company)
  • Jones, Stephen – The Art of Horror (Applause Theatre & Cinema Books)
  • Knost, Michael – Author’s Guide to Marketing with Teeth (Seventh Star Press)
  • Mynhardt, Joe, & Emma Audsley (editors) – Horror 201: The Silver Scream (Crystal Lake Publishing)
  • Olson, Danel – Studies in the Horror Film: Stanley Kubrick’s The Shining (Centipede Press)
  • Soderlund, Sarah – Haunted by the Abyss: The Otherworldly Experiences of Paranormal (Llewellyn Publications)
  • Southall, Richard – Haunted Plantations of the South (Llewellyn Publications)


Superior Achievement in a Poetry Collection
  • Boston, Bruce – Resonance Dark and Light (Eldritch Press)
  • Crum, Amanda – The Madness in our Marrow (Amanda Crum)
  • Gailey, Jeannine Hall – The Robot Scientist’s Daughter (Mayapple Press)
  • Hanson, Michael H. – Dark Parchments (MoonDream Press)
  • Manzetti, Alessandro – Eden Underground (Crystal Lake Publishing)
  • Opperman, K.A. – The Crimson Tome (Hippocampus Press)
  • Randolph, Michael – Poetic Allegories (Eldritch Press)
  • Schwader, Ann – Dark Energies (P’rea Press)
  • Simon, Marge – Naughty Ladies (Eldritch Press)
  • Wytovich, Stephanie M. – An Exorcism of Angels (Raw Dog Screaming Press)


Our voting members will now vote on this Preliminary Ballot, with voting closing on February 15 (only Active and Lifetime Members are eligible to vote).

Works appearing on the Preliminary Ballot are NOT “Bram Stoker Award nominees” and authors, editors, publishers, and others should not refer to any of these works as such – doing so is a severe breach of etiquette – voting members tend to notice such breaches and may consider them when determining which works to vote for on the Ballot.

The Final Ballot (Bram Stoker Award nominees for 2015 calendar year) will be announced on February 23. Winners will be announced on May 14th at the gala awards presentation held in the iconic Flamingo Hotel in Las Vegas, Nevada, as part of the first annual StokerCon (see http://www.stokercon2016.com for more information).